Thursday, 24 March 2016


                                                    BLACK      SOCIAL     HISTORY                                                                                                                                                                                                                                                                                

Charley Patton
Charley Patton
The only known photograph of Patton (cropped)
Background information
Also known as The Masked Marvel
Elder J. J. Hadley
Born Unknown
Hinds County, Mississippi, U.S.
Died April 28, 1934
Sunflower County, Mississippi, U.S.
Genres Delta blues
Country blues
Gospel blues
Instruments Guitar, slide guitar
Years active 1916–1934
Labels Paramount
Associated acts Son House
Willie Brown
The Mississippi Sheiks
Henry "Son" Sims
Charley Patton (died April 28, 1934), also known as Charlie Patton, was an American Delta blues musician. He is considered by many to be the "Father of the Delta Blues" and is credited with creating an enduring body of American music and personally inspiring just about every Delta bluesman (Palmer, 1995). Musicologist Robert Palmer considered him one of the most important American musicians of the twentieth century. Patton (who was illiterate) spelled his name "Charlie", but many sources, including record labels and his gravestone,[1] spell it "Charley".[2]

1 Biography
2 Recognitions
2.1 Historical marker
3 Tributes
4 Discography
Patton was born in Hinds County, Mississippi, near the town of Edwards, and lived most of his life in Sunflower County, in the Mississippi Delta. Most sources say he was born in April 1891, but the years 1881, 1885 and 1887 have also been suggested.[3]

Patton's parentage and race also are uncertain. His parents were Bill and Annie Patton, but locally he was regarded as having been fathered by former slave Henderson Chatmon, several of whose children became popular Delta musicians, as solo performers and as members of groups such as the Mississippi Sheiks.[4] Biographer John Fahey described Patton as having "light skin and Caucasian features."[5] Patton was considered African-American, but because of his light complexion there has been speculation that he was Mexican or Cherokee (a theory endorsed by Howlin' Wolf). It is now generally agreed that Patton was of mixed heritage, with white, black, and Cherokee ancestors (one of his grandmothers was Cherokee).[6] In "Down the Dirt Road Blues", Patton sang of having gone to "the Nation" and "the Territo'", referring to the Cherokee Nation's portion of the Indian Territory (which became part of the state of Oklahoma in 1907), where a number of Black Indians tried unsuccessfully to claim a place on the tribal rolls and thereby obtain land.

In 1900, his family moved 100 miles (160 km) north to the 10,000-acre (40 km2) Dockery Plantation, a cotton farm and sawmill near Ruleville, Mississippi. It was here that John Lee Hooker and Howlin' Wolf fell under Patton's spell, as did Willie Brown, Tommy Johnson, and Fiddlin' Joe Martin.[7] It was also here that Robert Johnson played and was given his first guitar. At Dockery, Patton fell under the tutelage of Henry Sloan, who had a new, unusual style of playing music, which is now considered an early form of the blues. By the time he was about 19, Patton had become an accomplished performer and songwriter, having already composed "Pony Blues," a seminal song of the era.[citation needed]

Robert Palmer described Patton as a "jack-of all-trades bluesman", who played "deep blues, white hillbilly songs, nineteenth-century ballads, and other varieties of black and white country dance music with equal facility".[8] He was popular across the southern United States and performed annually in Chicago; in 1934, he performed in New York City. Unlike most blues musicians of his time, who were often itinerant performers, Patton played scheduled engagements at plantations and taverns. He gained popularity for his showmanship, sometimes playing with the guitar down on his knees, behind his head, or behind his back. Patton was a small man, about 5 feet 5 inches tall,[9] but his gravelly voice was reputed to have been loud enough to carry 500 yards without amplification. He influenced the singing style of his young friend Chester Burnett, who went on to gain fame in Chicago as Howlin' Wolf.[citation needed]

Patton settled in Holly Ridge, Mississippi, with his common-law wife and recording partner, Bertha Lee, in 1933. He died on the Heathman-Dedham plantation, near Indianola, on April 28, 1934, and is buried in Holly Ridge (both towns are located in Sunflower County). His death certificate states that he died of a mitral valve disorder.[10] The death certificate does not mention Bertha Lee; the only informant listed is one Willie Calvin. Patton's death was not reported in the newspapers.[11]

A memorial headstone was erected on Patton's grave (the location of which was identified by the cemetery caretaker, C. Howard, who claimed to have been present at the burial), paid for by musician John Fogerty through the Mt. Zion Memorial Fund in July 1990. The spelling of Patton's name was dictated by Jim O'Neal, who also composed the epitaph.[citation needed]

Screamin' and Hollerin' the Blues: The Worlds of Charley Patton, a boxed set collecting Patton's recorded works, was released in 2001. It also features recordings by many of his friends and associates. The set won three Grammy Awards in 2003, for Best Historical Album, Best Boxed or Special Limited Edition Package, and Best Album Notes.[12] Another collection of Patton recordings, The Definitive Charley Patton, was released by Catfish Records in 2001.[13]

Patton's song "Pony Blues" (1929) was included by the National Recording Preservation Board in the National Recording Registry of the Library of Congress in 2006.[14] The board annually selects recordings that are "culturally, historically, or aesthetically significant."

In 2013, Jack White's Third Man Records teamed up with Document Records to reissue The Complete Recorded Works in Chronological Order of Charley Patton, Blind Willie McTell and the Mississippi Sheiks.

Historical marker
The Mississippi Blues Trail placed its first historical marker on Patton's grave in Holly Ridge, Mississippi, in recognition of his legendary status as a bluesman and his importance in the development of the blues in Mississippi.[15] It placed another historic marker at the site where the Peavine Railroad intersects Highway 446 in Boyle, Mississippi, designating it as a second site related to Patton on the Mississippi Blues Trail. The marker commemorates the lyrics of Patton's "Peavine Blues", which refer to the branch of the Yazoo and Mississippi Valley Railroad which ran south from Dockery Plantation to Boyle. The marker notes that riding on the railroad was a common theme of blues songs and was seen as a metaphor for travel and escape.[16]

Canned Heat (with Alan "Blind Owl" Wilson) covered Patton's songs "Pony Blues", "Shake It and Break It" and "Yellow Bee".
Bob Dylan dedicated "High Water (For Charley Patton)", on his 2001 album "Love and Theft", to Patton.
The Reverend Peyton's Big Damn Band, American country blues recording and touring artists, produced a tribute recording, Peyton on Patton, released on July 19, 2011. The album entered the Billboard blues album chart at number 7.
French singer-songwriter Francis Cabrel refers to Patton in the song "Cent Ans de Plus" on his 1999 album Hors-Saison.
The indie rock band Gomez recorded "Charley Patton Songs" for their 2006 album How We Operate.
A picture of Patton in the recording studio used for the White Stripes' album Icky Thump can be seen in the background of the short demo video on their website.
Jule Brown[17] recorded an updated arrangement of Patton's "Green River Blues" on their 2006 release Smoke and Mirrors.
Robert Crumb narrated Patton's life in a comic book.[18]
The 1980s New York punk/blues band Hi Sheriffs of Blue[19] (which included visual artists Mark Dagley, George Condo and Elliott Sharp) was named after the Patton song "High Sheriff Blues".
Alvin Youngblood Hart covered Patton's songs "Pony Blues" and "Tom Rushen Blues" on Big Mama's Door and Down in the Alley, respectively.
Corey Harris covered "Pony Blues" on his debut album, Between Midnight and Day.
Paul Geremia covered "Pony Blues" and "Shake It and Break It" on Love, Murder & Mosquitos and Self Portrait in Blues, respectively.
Paul Rishell covered Patton's songs "Some of These Days" and "Down the Dirt Road Blues" on Swear to Tell the Truth and Talking Guitar, respectively.
Paul Rishell and Annie Raines covered Patton's songs "Some of These Days" and "I'm Going Home" on their album Goin' Home.
Rory Block covered Patton's song "Elder Green Is Gone" on her 1983 album Blue Horizon.
Gennett Records, Richmond, Indiana, June 14, 1929
"Pony Blues"
"Mississippi Boweavil Blues"
"Screamin' and Hollerin' the Blues"
"Down the Dirt Road Blues"
"Banty Rooster Blues"
"Pea Vine Blues"
"It Won't Be Long"
"Tom Rushen Blues"
"A Spoonful Blues"
"Shake It and Break It (But Don't Let It Fall Mama)"
"Prayer of Death Part 1 & 2"
"Lord I'm Discouraged"
"I'm Goin' Home"
Paramount Records, Grafton, Wisconsin, c. October 1929
"Going to Move to Alabama"
"Elder Greene Blues"
"Circle Round the Moon"
"Devil Sent the Rain Blues"
"Mean Black Cat Blues"
"Frankie and Albert"
"Some These Days I'll Be Gone"
"Green River Blues"
"Hammer Blues"
"Magnolia Blues"
"When Your Way Gets Dark"
"Heart Like Railroad Steel"
"Some Happy Day"
"You're Gonna Need Somebody When You Die"
"Jim Lee Blues Part 1 & 2"
"High Water Everywhere Part 1 & 2"
"Jesus Is a Dying-Bed Maker"
"I Shall Not Be Moved"
"Rattlesnake Blues"
"Running Wild Blues"
"Joe Kirby"
"Mean Black Moan"
"Farrell Blues"
"Come Back Corrina"
"Tell Me Man Blues"
"Be True Be True Blues"
Paramount Records, Grafton, Wisconsin, May 28, 1930
"Dry Well Blues"
"Some Summer Day"
"Moon Going Down"
"Bird Nest Bound"
Vocalion Records, New York City, January 31, 1934
"Jersey Bull Blues"
"High Sheriff Blues"
"Stone Pony Blues"
"34 Blues"
"Love My Stuff"
"Revenue Man Blues"
"Oh Death"
"Troubled 'Bout My Mother"
"Poor Me"
"Hang It on the Wall"
"Yellow Bee"
"Mind Reader Blues"