BLACK SOCIAL HISTORY : AFRICAN AMERICAN " HARRY "SWEETS" EDISON " HE PLAYED WITH LEADING BLACK ORCHESTRA AND BAND INCLUDING COUNT BASIE ORCHESTRA : GOES INTO THE " HALL OF BLACK GENIUS "

                            BLACK             SOCIAL             HISTORY                                                                                                                                                                                                                                                                                                                                                                                                     Harry "Sweets" Edison got the most mileage out of a single note, like his former boss Count Basie. Edison, immediately recognizable within a note or two, long used repetition and simplicity to his advantage while always swinging. He played in local bands in Columbus and then in 1933 joined the Jeter-Pillars Orchestra. After a couple years in St. Louis, Edison moved to New York where he joined Lucky Millinder and then in June 1938, Count Basie, remaining with that classic orchestra until it broke up in 1950. During that period, he was featured on many records, appeared in the 1944 short Jammin' the Blues and gained his nickname "Sweets" (due to his tone) from Lester Young. In the 1950s, Edison toured with Jazz at the Philharmonic, settled in Los Angeles, and was well-featured both as a studio musician (most noticeably on Frank Sinatra records) and on jazz dates. He had several reunions with Count Basie in the 1960s and by the '70s was often teamed with Eddie "Lockjaw" Davis; Edison also recorded an excellent duet album for Pablo with Oscar Peterson. One of the few swing trumpeters to be influenced by Dizzy Gillespie, Sweets led sessions through the years for Pacific Jazz, Verve, Roulette, Riverside, Vee-Jay, Liberty, Sue, Black & Blue, Pablo, Storyville, and Candid among others. Although his playing faded during the 1980s and '90s, Edison could still say more with one note than nearly anyone; he died July 27, 1999, at age 83.

Harry "Sweets" Edison  October 10, 1915 – July 27, 1999  was an American jazz trumpeter and member of the Count Basie Orchestra.

Born in Columbus, Ohio, Edison spent his early childhood in Louisville Kentucky, where he was introduced to music by an uncle. After moving back to Columbus at the age of 12, the young Edison began playing the trumpet with local bands.]

In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937 he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band.

"Sweets" Edison came to prominence as a soloist with the Basie Band and as an occasional composer/arranger for the band. He also appeared in the 1944 film Jammin' The Blues.

Having joined the Basie Band in 1937, Edison spent 13 years with Basie until the band was temporarily disbanded in 1950. Edison thereafter pursued a varied career as leader of his own groups, traveling with Jazz at the Philharmonic and freelancing with other orchestras. In the early 1950s, he settled on the West Coast and became a highly sought-after studio musician, making important contributions to recordings by such artists as Billie Holiday, Frank Sinatra, and Ella Fitzgerald. In 1956 he recorded the first of three albums with tenor great Ben Webster.

According to the Encyclopedia of Jazz in the Seventies, Edison in the 1960s and 1970s continued to work in many orchestras on TV shows, including Hollywood Palace and The Leslie Uggams Show, specials with Frank Sinatra; prominently featured on the sound track and in the sound track album of the film, Lady Sings the Blues. From 1973 Edison acted as Musical Director for Redd Foxx on theatre dates, at concerts, and in Las Vegas. For the past two decades he appeared frequently in Europe and Japan until shortly before his death. As the Los Angeles Jazz Institute's (LAJI) first Tribute Honoree, "Sweets" will always have a special place in the hearts of jazz fans.

Sweets Edison was twice the Los Angeles Jazz Society's Tribute Honoree - in 1983 and in 1992.