In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances. His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening. Ngũgĩ was subsequently imprisoned for over a year.
Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.
Biography
Ngũgĩ was born in Kamiriithu, near Limuru in Kiambu district, Kenya, of Kikuyu descent, and baptised James Ngugi. His family was caught up in the Mau Mau War; his half-brother Mwangi was actively involved in the Kenya Land and Freedom Army, and his mother was tortured at Kamiriithu homeguard post. He received a B.A. in English from Makerere University College in Kampala,Uganda, in 1963; during his education, a play of his, The Black Hermit, was produced in Kampala in 1962.
Ngũgĩ published his first novel, Weep Not, Child, in 1964, which he wrote while attending the University of Leeds in England. It was the first novel in English to be published by a writer from East Africa. His second novel, The River Between (1965), has as its background the Mau Mau rebellion, and described an unhappy romance between Christians and non-Christians. The River Between is currently on Kenya's national secondary school syllabus.
His novel A Grain of Wheat (1967) marked his embrace of Fanonist Marxism. He subsequently renounced English, Christianity, and the name James Ngugi as colonialist; he changed his name back to Ngũgĩ wa Thiong'o, and began to write in his native Gikuyu and Swahili.
In 1976 he helped set up The Kamiriithu Community Education and Cultural Centre which, among other things, organised African Theatre in the area. The uncensored political message of his 1977 play Ngaahika Ndeenda (I Will Marry When I Want) provoked the then Kenyan Vice-President Daniel arap Moi to order his arrest. While detained in the Kamiti Maximum Security Prison, Ngũgĩ wrote the first modern novel in Gikuyu, Caitaani mũtharaba-Inĩ (Devil on the Cross), on prison-issued toilet paper.
After his release, he was not reinstated to his job as professor at Nairobi University, and his family was harassed. Due to his writing about the injustices of the dictatorial government at the time, Ngugi and his family were forced to live in exile. Only after Arap Moi was voted out of office, 22 years later, was it safe for them to return.
His later works include Detained, his prison diary (1981), Decolonising the Mind: The Politics of Language in African Literature (1986), an essay arguing for African writers' expression in their native languages rather than European languages, in order to renounce lingering colonial ties and to build an authentic African literature, and Matigari (1987), one of his most famous works, a satire based on a Gikuyu folktale.
In 1992, Ngũgĩ became a professor of Comparative Literature and Performance Studies at New York University, where he held the Erich Maria Remarque Chair. He is currently a Distinguished Professor of English and Comparative Literature as well as the Director of the International Center for Writing and Translation at the University of California, Irvine.
On 8 August 2004, Ngũgĩ returned to Kenya as part of a month-long tour of East Africa. On 11 August, robbers broke into his high-security apartment: they assaulted Ngũgĩ, sexually assaulted his wife and stole various items of value. Since then, Ngũgĩ has returned to America, and in the summer 2006 the American publishing firm Random House published his first new novel in nearly two decades, Wizard of the Crow, translated to English from Gikuyu by the author.
On 10 November 2006, while in San Francisco at Hotel Vitale at the Embarcadero, Ngũgĩ was harassed and ordered to leave the hotel by an employee. The event led to a public outcry and angered the African-American community and the Africans living in America, prompting an apology by the hotel.
His most recent books are Something Torn and New: An African Renaissance, a collection of essays published in 2009 making the argument the crucial role of African languages in "the resurrection of African memory,"[14] and two autobiographical works: Dreams in a Time of War: a Childhood Memoir (2010) and In the House of the Interpreter: A Memoir (2012).
Awards and honours
- This list is incomplete; you can help by expanding it.
- 1973 Lotus Prize for Literature
- Nominated for the Man Booker International Prize
- 2012 National Book Critics Circle Award (finalist Autobiography) for In the House of the Interpreter
Honorary degrees
- University of Dar es Salaam, Honorary doctorate in Literature, November 2013
No comments:
Post a Comment