BLACK SOCIAL HISTORY : AFRICAN AMERICAN " CHUCK JACKSON " HIS BRAND OF UP TOWN SOUL AND WAS A REGULAR VISITOR TO THE R&B CHARTS IN THE EARLY 60'S : GOES TO THE " HALL OF BLACK GENIUS "

                                            BLACK                   SOCIAL                   HISTORY                                                                                                                                                                                                                                                                                                                      He's relatively forgotten today, and his brand of uptown soul is dismissed by the relatively vocal clique of critics who prefer their soul deep and down-home. But Chuck Jackson was a regular visitor to the R&B charts (and an occasional one to the pop listings) in the early '60's with such early pop-soul concoctions as "I Don't Want to Cry," "Any Day Now," and "Tell Him I'm Not Home." His records were very much of a piece with New York pop/rock-soul production, with cheeky brass, sweeping strings, and female backup vocalists. Those production trills make his work sound dated to some listeners, and his hoarse, emotional vocals weren't as subtle or commanding as peers like Ben E. King or Wilson Pickett. On its own terms, though, his best work is quite good, whether you prefer pop to soul or vice versa.

Jackson sang with one of the best doo wop groups, the Dell-Vikings, for a while in the late '50's (although he doesn't appear on their hit singles). Spotted by Scepter Records while performing with Jackie Wilson's Revue, he started recording for the label in 1961. As was the case with label mates Dionne Warwick and the Shirelles, Jackson's early-'60s arrangements blended pop, R&B, and New York-session professionalism. Like Warwick, Jackson was one of the first singers to successfully record Bacharach-David material; one of his best singles, "I Keep Forgetting'" (1962), was written and produced by Leiber-Stoller. Jackson had some success with some duets with Maxine Brown in the mid-'60s, but he left Wand in 1967 for Motown, at the urging of Smokey Robinson. Jackson was (perhaps understandably) lost in the shuffle during his four years at Motown, and he's barely been heard from since, although he remains a favorite on England's "Northern soul" scene.