BLACK SOCIAL HISTORY : AFRICAN AMERICAN " THE MARCELS " THE NAME IS AFTER CORNELIUS HARP HAIR STYLE, THEY HAD HITS ON THE R&B CHARTS AND ON INTERNATIONAL SCALE : GOES INTO THE " HALL OF BLACK GENIUS "

                                    BLACK                 SOCIAL             HISTORY                                                                                                                                                                                                                                                                                                                                     This Pittsburgh ensemble deserved a much better fate than being known primarily for a novelty-tinged cover of "Blue Moon." Baritone vocalist Richard F. Knauss teamed with Fred Johnson, Gene J. Bricker, Ron Mundy, and lead vocalist Cornelius Harp to form an integrated ensemble. They named themselves after Harp's hairstyle, the marcel. The group did a string of covers as demo tapes that were sent to Colpix. The label's A&R director had them cut several oldies at RCA's New York studios in 1961, one of them being "Blue Moon." They used the bass intro arrangement from the Cadillacs' "Zoom" and the result was a huge hit. It eventually topped both the pop and R&B charts, and also was an international smash. The group eventually appeared in the film Twist Around the Clock with Dion and Chubby Checker, and recorded an 18-cut LP for Colpix. Alan Johnson and Walt Maddox later replaced Knauss and Gene Bricker, making the Marcels an all-black unit. The group did score another Top Ten pop single with "Heartaches," another cover of a pre-rock single. This peaked at number seven pop and number 19 R&B in 1961. They continued recording on Kyra, Queen Bee, St. Clair, Rocky, and Monogram with varying lineups, but never again equaled their past success.