BLACK SOCIAL HISTORY Although her recording career has been somewhat erratic, Cassandra Wilson became one of the top jazz singers of the '90's, a vocalist blessed with a distinctive and flexible voice who is not afraid to take chances. She began playing piano and guitar when she was nine and was working as a vocalist by the mid-'70's, singing a wide variety of material. Following a year in New Orleans, Wilson moved to New York in 1982 and began working with Dave Holland and Abbey Lincoln. After meeting Steve Coleman, she became the main vocalist with the M-Base Collective. Although there was really no room for a singer in the overcrowded free funk ensembles, Wilson did as good a job of fitting in as was possible. She worked with New Air and recorded her first album as a leader in 1985. By her third record, a standards date, she was sounding quite a bit like Betty Carter.
This Black Social History is design for the education of all races about Black People Contribution to world history over the past centuries, even though its well hidden from the masses so that our children dont even know the relationship between Black People and the wealth of their history in terms of what we have contributed to make this world a better place for all.
Friday, 21 March 2014
BLACK SOCIAL HISTORY : AFRICAN AMERICAN " CASSANDRA WILSON " SHE BECAME ONE OF THE TOP JAZZ SINGER OF THE 90's A VOCALIST BLESSED WITH A DISTINCTIVE AND FLEXIBLE VOICE WHO IS NOT AFRAID TO TAKE CHANCES : GOES INTO THE " HALL OF BLACK GENIUS "
BLACK SOCIAL HISTORY Although her recording career has been somewhat erratic, Cassandra Wilson became one of the top jazz singers of the '90's, a vocalist blessed with a distinctive and flexible voice who is not afraid to take chances. She began playing piano and guitar when she was nine and was working as a vocalist by the mid-'70's, singing a wide variety of material. Following a year in New Orleans, Wilson moved to New York in 1982 and began working with Dave Holland and Abbey Lincoln. After meeting Steve Coleman, she became the main vocalist with the M-Base Collective. Although there was really no room for a singer in the overcrowded free funk ensembles, Wilson did as good a job of fitting in as was possible. She worked with New Air and recorded her first album as a leader in 1985. By her third record, a standards date, she was sounding quite a bit like Betty Carter.
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