The Red Caps were one of the most prolific and long-lived groups of the 1940s and 1950s. While they were primarily a group that fans flocked to see in person, they had releases on many labels, using many names. There was a basic core of five singers, but members came and went at a bewildering pace.
In the music world of the late 30s and early 40s, there were many pioneer black vocal groups, all of whom owed a common debt to the Mills Brothers and Ink Spots. However, other influences were also apparent in their styles. Swing and big band jazz had a tremendous impact in the 30s, and myriad small combo jazz and jive groups resulted, often with members drawn from the larger orchestras. In parallel with this trend were the vocal groups that evolved from these combos in the 30s. In them, all members played instruments besides vocalizing - a combination that all but disappeared from R&B by the middle 50s. It was in this atmosphere that the group later known as the 5 Red Caps was born.
While there were vocal groups in all cities with large black populations, in the 1930s many of them flocked to the Los Angeles area because, in addition to niteclubs, theaters, and radio, there were also opportunities to work in films and cartoon soundtracks. Three of these groups had a hand in the formation of the Red Caps: the original Basin Street Boys, the 4 Blackbirds, and the 5 Jones Boys. In 1938, they would coalesce into the 4 Toppers, the predecessor to the Red Caps.
While there were vocal groups in all cities with large black populations, in the 1930s many of them flocked to the Los Angeles area because, in addition to niteclubs, theaters, and radio, there were also opportunities to work in films and cartoon soundtracks. Three of these groups had a hand in the formation of the Red Caps: the original Basin Street Boys, the 4 Blackbirds, and the 5 Jones Boys. In 1938, they would coalesce into the 4 Toppers, the predecessor to the Red Caps.
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