BLACK SOCIAL HISTORY I first visited Liverpool in the summer of 1989, and I've never forgotten how alien I felt walking through its city centre. The looks, the energy; hard to quantify nearly 20 years later, but it seemed the antithesis of the welcome I received in Liverpool's black district – Toxteth L8. When I enquired as to why I felt so odd, an "L8onian" told me that "we are not welcome in the city, that's why we have Toxteth".
It soon become evident that many black Liverpudlians felt the same way; a seething anger that this town – one almost in denial that its wealth was directly founded on the accumulated profits of the transatlantic slave trade – had almost swept them under the carpet, far away from the eyes hearts and minds of the nation. Over and over again I heard where, in a city awash with images and tributes to those that benefited from the trade, were the monuments to those Africans that died in it – a cry not dissimilar to those I would hear in Bristol, Manchester or London.
Almost 20 years on, post-Lawrence inquiry Britain has changed. Not enough, I wager, but the overt side of racism, the one easily detected by the human eye, can in my opinion almost be confined to history. But what of Liverpool? Is denial of its slave roots also a thing of the past? Well, it was the first city council to unreservedly apologise for the role the city played.
And now, next Thursday, Slavery Remembrance Day 2007, a day that commemorates the uprising of enslaved Africans on the island of St Domingo (modern Haiti and the Dominican Republic), Liverpool will open the doors of the new International Slavery Museum, at the heart of National Museums Liverpool. At last, a serious tribute to the tens of millions of lives affected by this barbaric trade; an interactive monument that says that we can talk about this, study this subject – intelligently, artistically, truthfully, without guilt, without denial, without fear.
I'm told there will be thought-provoking displays about the origins of the trade, its operations, its economic contribution to the Industrial Revolution and so forth, but what really excites me is a venture that has already opened its doors – the Centre for the Study of International Slavery, a joint research centre the museum has started with the University of Liverpool. It will organise interdisciplinary academic conferences, seminars and workshops; build up a slavery research network with scholars in Europe, Africa, the Caribbean, Latin America and the USA; and offer an MA in Atlantic History: Slavery, Race, and Colonialism and postgraduate research programmes. Wow!
When I first became interested in black history and the transatlantic slave trade, one had to search hard to find a small local black book-shop that stocked such work, invariably imported from America . But now, in Liverpool, for this and generations to come, there is an institution dedicated to scholarly research – and it's right on our doorsteps.
A wonderful example of this newfound freedom is the huge wall dedicated to 70 key black achievers past and present. As expected, Muhammad Ali, Sojourner Truth, Wole Soyinka, Olaudah Equiano, Derek Walcott and so on are all there – and some names I didn't know, such as Gaspar Yanga, the Afro-Mexican slave rebellion leader who established a Maroon colony that lasted 30 years in the 16th century. But what really caught my eye is the inclusion for the first time in my experience of so many black Britons – role models young people can still access, still converse with. Viv Anderson, the first black England international footballer – how many of us remember how huge that was? Benjamin Zephaniah, the wonderful poet, and a man of stature and integrity. John Conteh; I remember watching him fight as a child. Archbishop John Sentamu, a magnificent, fearless man at the forefront of the fight for social justice, here and now. The writer and academic Caryl Phillips, whose plays and novels I would read with awe and fascination while at college. The list, gladly, goes on and on.
The museum admits that the list is incomplete, and names will be added. Let me offer a few: Baroness Amos, the first black Leader of the House of Lords; the mighty three MPs Bernie Grant, Diane Abbott and Paul Boateng, and the new wave of David Lammy, Adam Afriyie and Dawn Butler, and not forgetting Oona King. If there's anything to be learnt from the pain of our ancestors, is that power lies with the people – and their representatives.
But I'm just nit-picking. If just one young person can be inspired by the achievements of any of the people on this wall, the International Slavery Museum can call itself a roaring success. Only one thing would make this joyous opening better; to be met at the entrance to this new world of knowledge by a young black Liverpudlian giving me a welcome that, 20 years ago, his father felt he could only give me in Toxteth.
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