BLACK SOCIAL HISTORY
Elvin Jones
| Elvin Jones | |
|---|---|
Jones in 1976
| |
| Background information | |
| Birth name | Elvin Ray Jones |
| Born | September 9, 1927 Pontiac, Michigan, United States |
| Died | May 18, 2004 (aged 76) Englewood, New Jersey, United States |
| Genres | Modal jazz, avant-garde jazz,hard bop, mainstream jazz,post-bop |
| Occupation(s) | Musician, bandleader |
| Instruments | Drums |
| Years active | 1948–2004 |
| Associated acts | John Coltrane, Charles Mingus, Thad Jones, Hank Jones |
Elvin Ray Jones (September 9, 1927 – May 18, 2004) was a jazz drummer of the post-bop era.[1] He showed an interest in drums at a young age, watching the circus bands march by his family's home in Pontiac, Michigan.
He served in the United States Army from 1946 to 1949 and subsequently played in a Detroit houseband led by Billy Mitchell. He moved to New York in 1955 and worked as a sideman for Charles Mingus, Teddy Charles, Bud Powell and Miles Davis.[1]
From 1960 to 1966 he was a member of the John Coltrane quartet (along with Jimmy Garrison on bass and McCoy Tyner on piano), a celebrated recording phase, appearing on such albums as A Love Supreme. Following his work with Coltrane, Jones led several small groups, some under the name The Elvin Jones Jazz Machine. His brothers Hank Jones and Thad Jones were also jazz musicians with whom he recorded.[1]
Biography
Early life
Elvin Jones was born in Pontiac, Michigan to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His brothers, Hank Jones and Thad Jones, both became important jazz musicians. By age two he said he knew he held a fascination for drums. He would watch the circus marching band parades go by his home as a boy, particularly fascinated by the drummers. Following his early passion, Elvin joined his high school's black marching band, where he developed his foundation inrudiments. Jones began service in the United States Army in 1946. He was discharged in 1949, and returned home penniless. Jones said he borrowed thirty-five dollars from his sister when he got back to buy his first drumset.[2]
Jones began his professional career in 1949 with a short-lived gig in Detroit's Grand River Street club. Eventually he went on to play with artists such as Miles Davis and Wardell Gray. In 1955, after a failed audition for the Benny Goodman band, he found work in New York, joining Charles Mingus's band, and releasing a record called J Is for Jazz.
1960–1966: John Coltrane and beyond
In 1960, he joined the classic John Coltrane Quartet, which also included bassist Jimmy Garrison and pianist McCoy Tyner. Jones and Coltrane often played extended duetpassages. This band is widely considered to have redefined "swing" (the rhythmic feel of jazz) in much the same way that Louis Armstrong, Charlie Parker, and others did during earlier stages of jazz's development. He stayed with Coltrane until 1966. By that time, Jones was not entirely comfortable with Coltrane's new direction and his polyrhythmic style clashed with the "multidirectional" approach of the group's second drummer, Rashied Ali.
Jones remained active after leaving the Coltrane group, and led several bands in the late sixties and seventies that are considered highly influential groups. Notable among them was a trio formed with saxophonist and multi-instrumentalist Joe Farrell and (ex-Coltrane) bassist Jimmy Garrison, with whom he recorded the Blue Note album Puttin' It Together. Jones recorded extensively for Blue Note under his own name in the late sixties and early seventies, with groups that featured prominent as well as up and coming greats. The two-volume Live at The Lighthouse showcases a 21- and 26-year-old Steve Grossman and Dave Liebman, respectively. Jones played on many significant albums of the modal jazz era, such as The Real McCoy with McCoy Tyner and saxophonist Wayne Shorter's Speak No Evil. Other musicians of note who made significant contributions to Jones's music during this period were baritone saxophonist Pepper Adams, tenor saxophonists George Coleman and Frank Foster, trumpeter Lee Morgan, bassist Gene Perla, keyboardist Jan Hammer and jazz–world music group Oregon.
Late career
Elvin Jones' sense of timing, polyrhythms, dynamics, timbre, and legato phrasing brought the drumset to the foreground. Jones was touted by Life Magazine as "the world's greatest rhythmic drummer", and his free-flowing style was a major influence on many leading drummers, including Christian Vander, Mitch Mitchell (whom Jimi Hendrix called "my Elvin Jones") and Ginger Baker. He appeared as the villain Job Cain in the 1971 off-beat Western film Zachariah, in which he performed a drum solo after winning a saloon gunfight. In 1999, Jones worked with Our Lady Peace on their album Happiness...Is Not a Fish That You Can Catch. He was featured playing drums on the song "Stealing Babies", which was also featured on their 2009 compilation album The Very Best of Our Lady Peace.
Jones performed and recorded with his own group, the Elvin Jones Jazz Machine, whose line up changed through the years. Sonny Fortune and Ravi Coltrane, John Coltrane's son, both played saxophone with the Jazz Machine in the early 1990s, appearing together with Jones on In Europe on Enja Records in 1991. Jones, who taught regularly, often took part in clinics, played in schools, and gave free concerts in prisons. His lessons emphasized music history as well as drumming technique.
Elvin Jones died of heart failure in Englewood, New Jersey on May 18, 2004. He was survived by his first wife Shirley and his second, albeit common-law, wife Keiko (Elvin married Keiko before divorcing Shirley, meaning that legally he and Keiko were not married), in addition to his son Elvin Nathan Jones of California and daughter Rose-Marie Rosie Jones of Sweden.
Discography
As leader
| Recorded | Album | Personnel | Label |
|---|---|---|---|
| 1961 | Together! | Philly Joe Jones, Blue Mitchell, Curtis Fuller, Hank Mobley, Wynton Kelly, Paul Chambers | Atlantic |
| 1961 | Elvin! | Frank Wess, Frank Foster, Art Davis, Hank Jones, Thad Jones | Riverside |
| 1963 | Illumination! | Jimmy Garrison, Prince Lasha, Sonny Simmons, Charles Davis, McCoy Tyner | Impulse! |
| 1965 | Dear John C. | Richard Davis, Hank Jones, Roland Hanna, Charlie Mariano | Impulse! |
| 1965 | And Then Again | J. J. Johnson, Frank Wess, Charles Davis, Don Friedman, Paul Chambers, Thad Jones, Hank Jones, Art Davis | Atlantic |
| 1966 | Midnight Walk | Thad Jones, Hank Mobley, Dollar Brand, Steve James, Don Moore | Atlantic |
| 1967 | Heavy Sounds | Richard Davis, Frank Foster, Billy Greene | Impulse! |
| 1968 | Live at the Village Vanguard | Wilbur Little, George Coleman, Marvin Peterson | Enja |
| 1968 | Puttin' It Together | Joe Farrell, Jimmy Garrison | Blue Note |
| 1968 | The Ultimate | Jimmy Garrison, Joe Farrell | Blue Note |
| 1969 | Poly-Currents | George Coleman, Joe Farrell, Pepper Adams, Wilbur Little, Candido Camero, Fred Tompkins | Blue Note |
| 1970 | Coalition | George Coleman, Frank Foster, Wilbur Little, Candido Camero, | Blue Note |
| 1971 | Genesis | Gene Perla, Frank Foster, Dave Liebman, Joe Farrell | Blue Note |
| 1971 | Merry-Go-Round | Dave Liebman, Steve Grossman, Joe Farrell, Chick Corea, Jan Hammer, Don Alias, Gene Perla | Blue Note |
| 1971 | Elvin Jones Live: The Town Hall | Gene Perla, Chick Corea, Joe Farrell, Frank Foster | PM Records |
| 1972 | Mr. Jones | Joe Farrell, Pepper Adams, Dave Liebman, Jan Hammer, Gene Perla | Blue Note |
| 1972 | Live at the Lighthouse | Dave Liebman, Steve Grossman, Gene Perla | Blue Note |
| 1973 | At This Point in Time | Steve Grossman, Pepper Adams, Jan Hammer | Blue Note |
| 1973 | The Prime Element | George Coleman, Joe Farrell, Lee Morgan, Pepper Adams, Steve Grossman, Frank Foster | Blue Note |
| 1975 | Mr. Thunder | Steve Grossman, Roland Prince, Milton Suggs, Luis Agudo, Sjunne Ferger | East West |
| 1975 | Elvin Jones is "On the Mountain" | Jan Hammer, Gene Perla | PM |
| 1975 | New Agenda | Steve Grossman, Roland Prince, Dave Williams | Vanguard |
| 1976 | The Main Force | Ryo Kawasaki, Al Dailey, Dave Liebman | Vanguard |
| 1976 | Summit Meeting | James Moody, Clark Terry, Bunky Green, Roland Prince | Vanguard |
| 1977 | Time Capsule | Bunky Green, Kenny Barron, Angel Allende, Ryo Kawasaki, Frank Wess, Milt Hinton, Frank Foster, George Coleman, Junie Booth | Vanguard |
| 1978 | Remembrance | Pat LaBarbera, Michael Stuart, Roland Prince, Andy McCloud III | MPS |
| 1978 | Elvin Jones Music Machine | Frank Foster, Pat LaBarbera, Roland Prince, Andy McCloud III | Mark Levison (Japan) |
| 1978 | Live in Japan 1978: Dear John C. | Frank Foster, Pat LaBarbera, Roland Prince, Andy McCloud III | Trio (Japan) |
| 1978 | Elvin Jones Jazz Machine Live in Japan Vol. 2 | Frank Foster, Pat LaBarbera, Roland Prince, Andy McCloud III | Trio (Japan) |
| 1979 | Very R.A.R.E. | Art Pepper, Sir Roland Hanna, Richard Davis (bassist) | Trio (Japan) |
| 1980 | Soul Train | Andrew White, Richard "Ari" Brown, Marvin Horne, Andy McCloud III | Denon |
| 1980 | Heart to Heart | Tommy Flanagan, Richard Davis | Denon |
| 1982 | Earth Jones | Kenny Kirkland, Dave Liebman, Terumasa Hino, George Mraz | Palo Alto |
| 1982 | Love & Peace | McCoy Tyner, Pharoah Sanders, Jean-Paul Bourelly, Richard Davis | Trio (Japan) |
| 1982 | Brother John | Kenny Kirkland, Reggie Workman, Pat LaBarbera | Palo Alto |
| 1984 | Live at the Village Vanguard Volume One | Frank Foster, Pat LaBarbera, Fumio Karashima, Chip Jackson | Landmark |
| 1985 | Elvin Jones Jazz Machine Live at Pit Inn | Sonny Fortune, Pat LaBarbera, Fumio Karashima, Richard Davis | Polydor (Japan) |
| 1990 | Power Trio | John Hicks, Cecil McBee | Novus |
| 1990 | When I Was at Aso-Mountain | Sonny Fortune, Takehisa Tanaka, Cecil McBee | Enja |
| 1991 | In Europe | Sonny Fortune, Ravi Coltrane, Willie Pickens, Chip Jackson | Enja |
| 1992 | Youngblood | Joshua Redman, Javon Jackson, Nicholas Payton, George Mraz | Enja |
| 1992 | Going Home | Willie Pickens, Ravi Coltrane, Kent Jordan, Brad Jones, Nicholas Payton | Enja |
| 1992 | Tribute to John Coltrane "A Love Supreme" | Wynton Marsalis, Marcus Roberts, Reginald Veal | Columbia (Japan) |
| 1993 | It Don't Mean a Thing | Nicholas Payton, Sonny Fortune, Delfeayo Marsalis, Willie Pickens, Cecil McBee, Kevin Mahogany | Enja |
| 1998 | Momentum Space | Cecil Taylor, Dewey Redman | Verve |
| 1999 | The Truth: Heard Live at the Blue Note | Darren Barrett, Robin Eubanks, Carlos McKinney, Michael Brecker | Half Note |
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