Monday, 1 December 2014

BLACK SOCIAL HISTORY : AFRICAN AMERICAN " TOMMY SMITH " WAS AN ACT OF PROTEST BY THE AFRICAN AMERICAN ATHLETES : GOES INTO THE " HALL OF BLACK HEROES "

       BLACK           SOCIAL          HISTORY                                                                                                    




































































































1968 Olympics Black Power salute



Gold medallist Tommie Smith, (center) and bronze medallist John Carlos (right) showing the raised fist on the podium after the 200m in the 1968 Summer Olympics wearing Olympic Project for Human Rights badges. The third athlete is silver medalist Peter Norman from Australia wearing an OPHR badge to show his support for the two Americans.
The 1968 Olympics Black Power salute was an act of protest by the African-American athletes Tommie Smith and John Carlos during their medal ceremony at the 1968 Summer Olympics in the Olympic Stadium in Mexico City. As they turned to face their flags and hear theAmerican national anthem (The Star-Spangled Banner), they each raised a black-gloved fist and kept them raised until the anthem had finished. Smith, Carlos and Australian silver medalist Peter Norman all wore human rights badges on their jackets. In his autobiography,Silent Gesture, Tommie Smith stated that the gesture was not a "Black Power" salute, but a "human rights salute". The event is regarded as one of the most overtly political statements in the history of the modern Olympic Games.[1]
On the morning of 16 October 1968,[2] US athlete Tommie Smith won the 200 meter race with a world-record time of 19.83 seconds. Australia's Peter Norman finished second with a time of 20.06 seconds, and the US' John Carlos won third place with a time of 20.10 seconds. After the race was completed, the three went to the podium for their medals to be presented by David Cecil, 6th Marquess of Exeter. The two US athletes received their medals shoeless, but wearing black socks, to represent black poverty.[3] Smith wore a black scarf around his neck to represent black pride, Carlos had his tracksuit top unzipped to show solidarity with all blue collar workers in the US and wore a necklace of beads which he described "were for those individuals that were lynched, or killed and that no-one said a prayer for, that were hung and tarred. It was for those thrown off the side of the boats in the middle passage."[4] All three athletes wore Olympic Project for Human Rights (OPHR) badges after Norman, a critic of Australia's White Australia Policy, expressed empathy with their ideals.[5] Sociologist Harry Edwards, the founder of the OPHR, had urged black athletes to boycott the games; reportedly, the actions of Smith and Carlos on 16 October 1968[2] were inspired by Edwards' arguments.[6]Main article: Athletics at the 1968 Summer Olympics – Men's 200 metres
The famous picture of the event was taken by photographer John Dominis.[7]
Both US athletes intended on bringing black gloves to the event, but Carlos forgot his, leaving them in the Olympic Village. It was the Australian, Peter Norman, who suggested Carlos wear Smith's left-handed glove. For this reason, Carlos raised his left hand as opposed to his right, differing from the traditional Black Power salute.[8] When The Star-Spangled Banner played, Smith and Carlos delivered the salute with heads bowed, a gesture which became front page news around the world. As they left the podium they were booed by the crowd.[9] Smith later said, "If I win, I am American, not a black American. But if I did something bad, then they would say I am a Negro. We are black and we are proud of being black. Black America will understand what we did tonight."[3]

International Olympic Committee response

International Olympic Committee (IOC) president Avery Brundage deemed it to be a domestic political statement unfit for the apolitical, international forum the Olympic Games were supposed to be. In response to their actions, he ordered Smith and Carlos suspended from the U.S. team and banned from the Olympic Village. When the US Olympic Committee refused, Brundage threatened to ban the entire US track team. This threat led to the two athletes being expelled from the Games.[10]
A spokesman for the IOC said it was "a deliberate and violent breach of the fundamental principles of the Olympic spirit."[3] Brundage, who was president of the United States Olympic Committee in 1936, had made no objections against Nazi salutes during the Berlin Olympics. He argued that the Nazi salute, being a national salute at the time, was acceptable in a competition of nations, while the athletes' salute was not of a nation and therefore unacceptable.[11]
Brundage had been one of the United States' most prominent Nazi sympathisers even after the outbreak of the Second World War,[12] and his removal as president of the IOC had been one of the three stated objectives of the Olympic Project for Human Rights.[13]
As late as 2013, the official IOC website stated that "Over and above winning medals, the black American athletes made names for themselves by an act of racial protest."[14]

Aftermath

Smith and Carlos were largely ostracized by the U.S. sporting establishment and they were subject to criticism. Time magazine showed the five-ring Olympic logo with the words, "Angrier, Nastier, Uglier", instead of "Faster, Higher, Stronger".[15] Back home, they were subject to abuse and they and their families received death threats.[16]
Smith continued in athletics, playing in the NFL with the Cincinnati Bengals before becoming an assistant professor of physical education at Oberlin College. In 1995, he helped coach the U.S. team at the World Indoor Championships at Barcelona. In 1999 he was awarded the California Black Sportsman of the Millennium Award. He is now a public speaker.
Carlos' career followed a similar path. He tied the 100 yard dash world record the following year. He later played in the NFL with the Philadelphia Eagles until a knee injury prematurely ended his career. He fell upon hard times in the late 1970s. In 1977, his ex-wife committed suicide, leading him to a period of depression.[17] In 1982, Carlos was employed by the Organizing Committee for the 1984 Summer Olympics in Los Angeles to promote the games and act as liaison with the city's black community. In 1985, he became a track and field coach at Palm Springs High School. As of 2012, Carlos works as a counselor at the school.[18]
Smith and Carlos received an Arthur Ashe Courage Award at the 2008 ESPY Awards honoring their action.[19]
Norman, who was sympathetic to his competitors' protest, was reprimanded by his country's Olympic authorities and ostracized by the Australian media.[20] He was not picked for the 1972 Summer Olympics, despite having qualified 13 times over.[8] Smith and Carlos were pallbearers at Norman's funeral in 2006.[21]

Documentary films

The 2008 Sydney Film Festival featured a documentary about the protest entitled Salute. The film was written, directed and produced by Matt Norman, a nephew of Peter Norman.[22]
On 9 July 2008, BBC Four broadcast a documentary, Black Power Salute, by Geoff Small, about the protest. In an article, Small noted that the athletes of the British team attending the 2008 Olympics in Beijing had been asked to sign gagging clauses which would have restricted their right to make political statements but that they had refused.[23]

Tributes


San Jose State University Olympic Salute monument
In a 2011 speech to the University of Guelph, Akaash Maharaj, a member of the Canadian Olympic Committee and head of Canada'sOlympic Equestrian team, said, "In that moment, Tommie Smith, Peter Norman, and John Carlos became the living embodiments of Olympic idealism. Ever since, they have been inspirations to generations of athletes like myself, who can only aspire to their example of putting principle before personal interest. It was their misfortune to be far greater human beings than the leaders of the IOC of the day."[24]

San Jose

In 2005, San Jose State University honored former students Smith and Carlos with a 22-foot high statue of their protest, created by artistRigo 23.[25] A student, Erik Grotz, initiated the project: "One of my professors was talking about unsung heroes and he mentioned Tommie Smith and John Carlos. He said these men had done a courageous thing to advance civil rights, and, yet, they had never been honored by their own school." In January 2007, History San Jose opened a new exhibit called Speed City: From Civil Rights to Black Power, covering the San Jose State athletic program "from which many student athletes became globally recognized figures as the Civil Rights and Black Power movements reshaped American society."[26] Notable is the blank 2nd place podium (where Norman would have stood). The reason for Norman’s likeness’ absence from the monument was because he requested that his space was left empty so visitors to the exhibit could stand in his place and feel what he felt.[citation needed]

Sydney mural


Three Proud People mural in New town.
In Australia, an airbrush mural of the trio on podium was painted in 2000 in the inner-city suburb of Newtown in Sydney. Silvio Offria, who allowed an artist known only as "Donald" to paint the mural on his house in Leamington Lane, said Norman came to see the mural before he died in 2006, "He came and had his photo taken, he was very happy."[27] The monochrome tribute, captioned "THREE PROUD PEOPLE MEXICO 68," was under threat of demolition in 2010 to make way for a rail tunnel[27] but is now listed as an item of heritage significance.[28]

West Oakland mural

In the historically African-American neighborhood of West Oakland, California there is a large mural depicting Smith and Carlos on the corner of 12th Street and Mandela Parkway. Above the life sized depictions reads "Born with insight, raised with a fist" though previously it read "It only takes a pair of gloves."[29]

Music

The song "Mr. John Carlos" by the Swedish group Nationalteatern on their 1974 album Livet är en fest is about the event and its aftermath.
Rage Against the Machine used a cropped photo of the salute on the cover art for the "Testify" single (2000).
The cover art for the single "HiiiPoWeR" (2011) by American rapper Kendrick Lamar features a cropped photo of the salute.

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