BLACK SOCIAL HISTORY
Toots and the Maytals
Performing at the Summer Sundae festival, Leicester, August 2011
Background information
Origin
Jamaica
Genres
Ska
Rocksteady
Reggae
Years active
1963–early 1980s
early 1990s–present
Labels
Beverley's
Trojan
V2
Mango
Website
http://www.tootsandthemaytals.com/
http://www.myspace.com/tatm
Members
Frederick "Toots" Hibbert
Paul Douglas
Carl Harvey
Jackie Jackson
Leba Thomas
Marie "Twiggi" Gitten
Norris Webb
Charles Farquarson
Radcliffe "Dougie" Bryan
Andy Bassford
Past members
Henry "Raleigh" Gordon
Nathaniel "Jerry" Matthias
Hux Brown
Harold Butler
Michelle Eugene
Winston Wright
Winston Grennan
Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rock steady vocal groups. According to Allmusic, "The Maytals were key figures in reggae music. Formed in the early 1960s when ska was hot, the Maytals had a reputation for having strong, well-blended voices. Frontman Hibbert's soulful style led him to be compared to Otis Redding."[1]
Contents
1Career
2Discography
2.1Studio albums
2.2Selected Live albums
2.3Selected Compilation albums
2.4Other Contributions
Career
Frederick “Toots” Hibbert, the frontman of the group, was born in May Pen, Clarendon, Jamaica, in 1942, the youngest of seven children. He grew up singing gospel music in a church choir, and moved to Kingston in the early 1960s. In Kingston, Hibbert met Henry "Raleigh" Gordon and Nathaniel "Jerry" Mathias, forming in 1961[2] a group whose early recordings were incorrectly attributed to "The Flames" and "The Vikings" in the UK by Island Records. The Maytals first had chart success recording for producer Clement "Coxsone" Dodd at Studio One. With musical backing from Dodd's house band, the Skatalites, the Maytals' close-harmony gospel singing ensured success, overshadowing Dodd's other up-and-coming vocal group, the Wailers. After staying at Studio One for about two years, the group moved on to do sessions for Prince Buster before recording with Byron Lee in 1966.[1] With Lee, the Maytals won the first-ever Jamaican Independence Festival Popular Song Competition with their original song "Bam Bam" (later covered in a Dancehall style by Sister Nancy, and also by Yellowman in 1982).[1][3] However, the group's musical career was interrupted in late 1966 when Hibbert was jailed for 18 months for drug possession.[1] He stated that he was not arrested for ganja, but while bailing a friend.[4] He also stated that he made up the number 54-46 when writing "54-46 That's My Number" about his time in jail.[5]
Following Hibbert's release from jail towards the end of 1967, the Maytals began working with the Chinese Jamaican producerLeslie Kong, a collaboration which yielded a string of hits throughout the late 1960s and early 1970s.[1] These included "Do the Reggay", one of several songs released in 1968 to first use the word "reggae" (spelled "reggay") in a Jamaican recording;[6] "Pressure Drop"; "54-46 That's My Number" the 1969 Jamaica festival's popular song winner; "Sweet and Dandy"; and "Monkey Man", the group's first international hit in 1970.[1] By 1971, they had not only become the biggest act on the island, they were also (thanks to signing a recording contract with Chris Blackwell's Island Records) international stars.[1]In 1972 they won their third Jamaica festival popular song with "Pomps and Pride". The group was also featured twice in thesoundtrack to The Harder They Come, the 1972 film starring Jimmy Cliff, named as one of Vanity Fairs Top 10 soundtracks of all time.
After Kong's death in 1971, the group continued to record with Kong's former sound engineer, Warrick Lyn. Their re-instated producer Byron Lee renamed them Toots & the Maytals.[1] The group released three best-selling albums produced by Lyn and Blackwell of Island Records, and enjoyed international hits with Funky Kingston in 1973 andReggae Got Soul in 1975. Following the release of Reggae Got Soul, Toots & the Maytals were invited to tour as the opening act for the Who during their 1975-76 North American tour.[7] The tour went poorly and Toots & the Maytals never went on to the success of Bob Marley or Peter Tosh in the US.[8]
Toots and the Maytals' compositions would be given a second airing in 1978-80 during the reggae punk and ska revival period in the UK, when the Specials covered "Monkey Man" on their 1979 debut album and the Clash put out their recording of "Pressure Drop". They were also included in the lyrics to Bob Marley & the Wailers song, "Punky Reggae Party": "The Wailers will be there, the Damned, the Jam, the Clash, the Maytals will be there, Dr. Feelgood too".
On 29 September 1980, the band decided to make the Guinness Book of World Records by recording, pressing and distributing a new album to the record shops all in the same day. A live concert was recorded on reels of 2-inch, 24-track analog tape, then rushed by van to sound engineers. After a running order was determined, the record label was quickly designed and sent to the printers. The album masters, labels and the outer covers were then separately sped to the Gedmel factory near Leicester, and the finished product ("Live") was assembled and delivered to Coventry, where the band was playing the next day, successfully meeting the 24-hour deadline. "Unfortunately," said Island Records' Rob Bell, "the record was not included in the Guinness book, because they required prior notification that the event was going to take place, and no one at Island had informed them of the project!"[9]
In 1982, Toots & the Maytals' "Beautiful Woman", reached number one in New Zealand, but the group had already broken up.[1] They reformed in the early 1990s to continue touring and recording successfully.[1]
In 2004, the group released True Love, an album consisting of re-recorded versions of their earlier hits, alongside Bonnie Raitt, Willie Nelson, Eric Clapton, Keith Richards, Trey Anastasio, No Doubt, Ben Harper, the Roots, and Shaggy. The album won the Grammy Award that year for best reggae album.
In 2006, they recorded a reggae/ska version of Radiohead's "Let Down" for the tribute album, Radiodread, by the Easy Star All-Stars. The album was a song for song makeover of the English rock band's album OK Computer into reggae, dub and ska. In August 2007 Toots & the Maytals released Light Your Light, which featured re-workings of older songs such as "Johnny Cool Man", as well as new material. The album was nominated in 2008 for a Grammy in the best reggae album category.
Toots & the Maytals hold the current record of number one hits in Jamaica, with a total of thirty-one.[citation needed]
In March 2009 it was announced that Toots & the Maytals would be performing alongside Amy Winehouse, for their shared record label Island Records' 50th anniversary. Winehouse had covered the band's "Monkey Man", and the act were supposed to support her at the Shepherds Bush Empire in London on 31 May 2009.[10] However, Winehouse was forced to cancel, leaving the Maytals to play at the more intimate Bush Hall, round the corner from the Empire, to a sell-out crowd.
The 2012 live album Unplugged on Strawberry Hill gained Hibbert his fifth Grammy nomination.[11]
I continue to suffer from extreme anxiety, memory loss, headaches, dizziness and most sadly of all, a fear of crowds and performing. I am not able to write songs as I did before or remember the lyrics of songs that I wrote and have performed for decades.
Hibbert's letter to judge
On May 2013, Hibbert was struck in the head with a 1.75-liter vodka bottle while performing onstage at a Richmond, Virginia, festival. His injuries resulted in a concussion and treatment required six staples in his head. After the injury, the singer canceled all subsequent performances, citing fear of his audience and no longer feeling safe performing.[12]
Discography
Studio albums
Never Grow Old (1964)
The Sensational Maytals (1965)
Sweet And Dandy (1968)
From The Roots (1970)
Monkey Man (1970)
Greatest Hits (1971)
Slatyam Stoot (1972)
Funky Kingston (1973)
Roots Reggae (1974)
In the Dark (1974)
Reggae Got Soul (1976)
Toots Presents The Maytals (1977)
Pass the Pipe (1979)
Just Like That (1980)
Knock Out! (1981)
Toots In Memphis (1988) [Toots solo album]
Recoup (1997)
Ska Father (1998)
World Is Turning (2003)
True Love (2004)
Light Your Light (2007)
Flip and Twist (2010)
Pressure Drop - The Golden Tracks (2011)
Selected Live albums
Live (1980)
Live at Reggae Sunsplash (1983)
An Hour Live "Straight from the Yard" Dedicated to Robert Nesta Marley (1990)
Live in London (1999)
Unplugged on Strawberry Hill (2012)
Selected Compilation albums
The Original Golden Oldies Vol.3 (1974) [Prince Buster productions]
Life Could Be A Dream (1992) [Coxsone Dodd productions]
The Best Of Toots And The Maytals (1979)
Reggae Greats (1985)
The Very Best of Toots & The Maytals (2000)
Other Contributions[edit]
Goin' Home: A Tribute to Fats Domino (Vanguard, 2007), performing Domino's "Let The Four Winds Blow"
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