BLACK SOCIAL HISTORY : AFRICAN AMERICAN " JOHNNY ADAMS " AN R&B VOCALIST WHO TACKLED AN EXCEPTIONALLY WIDE VARIETY OF MATERIAL : GOES INTO THE " HALL OF BLACK GENIUS "

                                             BLACK             SOCIAL                 HISTORY                                                                                                                                                                                                                                                         Renowned around his Crescent City home base as "the Tan Canary" for his extraordinary set of soulfully soaring pipes, veteran R&B vocalist Johnny Adams tackled an exceptionally wide variety of material for Rounder in his later years; elegantly rendered tribute albums to legendary songwriters Doc Pomus and Percy Mayfield preceded forays into mellow, jazzier pastures. But then, Adams was never particularly into the parade-beat grooves that traditionally define the New Orleans R&B sound, preferring to deliver sophisticated soul ballads draped in strings.

Adams sang gospel professionally before crossing over to the secular world in 1959. Songwriter Dorothy LaBostrie -- the woman responsible for cleaning up the bawdy lyrics of Little Richard's "Tutti Frutti" enough for worldwide consumption -- convinced her neighbor, Adams, to sing her tasty ballad "I Won't Cry." The track, produced by a teenaged Mac Rebennack, was released on Joe Ruffino's Ric logo, and Adams was on his way. He waxed some outstanding follow-ups for Ric, notably "A Losing Battle" (the Rebennack-penned gem proved Adams' first national R&B hit in 1962) and "Life Is a Struggle."

After a prolonged dry spell, Adams resurfaced in 1968 with an impassioned R&B revival of Jimmy Heap's country standard "Release Me" for Shelby Singleton's SSS imprint that blossomed into a national hit. Even more arresting wasAdams' magnificent 1969 country-soul classic "Reconsider Me," his lone leap into the R&B Top Ten; in it, he swoops effortlessly up to a death-defying falsetto range to drive his anguished message home with fervor.

Despite several worthy SSS follow-ups ("I Can't Be All Bad" was another sizable seller), Adams never traversed those lofty commercial heights again (particularly disappointing was a short stay at Atlantic). But he found a new extended recording life at Rounder; his 1984 set, From the Heart, proved to the world that this Tan Canary could still chirp like a champ. With producer Scott Billington, he recorded some nine albums for the label prior to his cancer-related death on September 14, 1998.