BLACK SOCIAL HISTORY : AFRICAN AMERICAN JIMMY DAWKINS NICKED NAMED " FAST FINGERS" AN AMERICAN BLUES PLAYER, TRHE BROODING INTROSPECTIVE VARIETY : GOES INTO THE " HALL OF BLACK GENIUS "

Chicago guitarist Jimmy Dawkins would have preferred to leave his longtime nickname "Fast Fingers" behind. It was always something of a stylistic misnomer anyway; Dawkins' West Side-styled guitar slashed and surged, but seldom burned with incendiary speed. Dawkins' blues were generally of the brooding, introspective variety -- he didn't engage in flashy pyrotechnics or outrageous showmanship.

It took a long time for Dawkins to progress from West Side fixture to nationally known recording artist. He rode a Greyhound bus out of Mississippi in 1955, dressing warmly to ward off the Windy City's infamous chill factor. Only trouble was, he arrived on a sweltering July day! Harpist Billy Boy Arnold offered the newcomer encouragement, and he eventually carved out a niche on the competitive West Side scene (his peers included Magic Sam and Luther Allison).

Sam introduced Dawkins to Delmark Records boss Bob Koester. Fast Fingers, Dawkins' 1969 debut LP for Delmark -- which remained his best album -- was a taut, uncompromising piece of work that won the Grand Prix du Disque de Jazz from the Hot Club of France in 1971 as the year's top album. Andrew "Big Voice" Odom shared the singing and Otis Rush the second guitar duties on Dawkins' 1971 encore, All for Business. But after his Delmark LP Blister string, Dawkins' subsequent recordings lacked intensity until 1991's oddly titled Kant Sheck Dees Bluze for Chicago's Earwig Records. After that, Dawkins waxed discs for Ichiban and Fedora, and continued to tour extensively until health problems slowed him down. Jimmy Dawkins passed away April 10, 2013.