BLACK SOCIAL HISTORY The senseless death of young pianist Johnny Ace while indulging in a round of Russian roulette backstage at Houston's City Auditorium on Christmas Day of 1954 tends to overshadow his relatively brief but illustrious recording career on Duke Records. That's a pity, for Ace's gentle, plaintive vocal balladry deserves reverence on its own merit, not because of the scandalous fallout resulting from his tragic demise.
John Marshall Alexander was a member in good standing of the Beale Streeters, a loosely knit crew of Memphis young bloods that variously included B.B. King, Bobby Bland, and Earl Forest. Signing with local DJ Mattis' fledgling Duke logo in 1952, the re-christened Ace hit the top of the R&B charts his very first time out with the mellow ballad "My Song." From then on, Ace could do no musical wrong, racking up hit after hit for Duke in the same smooth, urbane style. "Cross My Heart," "The Clock," "Saving My Love for You," "Please Forgive Me," and "Never Let Me Go" all dented the uppermost reaches of the charts. And then, with one fatal gunshot, all that talent was lost forever (weepy tribute records quickly emerged by Frankie Ervin, Johnny Fuller, Varetta Dillard, and the Five Wings).
Ace scored his biggest hit of all posthumously. His haunting "Pledging My Love" (cut with Johnny Otis & His Orchestra in support) remained atop Billboard's R&B lists for ten weeks in early 1955. One further hit, "Anymore," exhausted Duke's stockpile of Ace masters, so they tried to clone the late pianist's success by recruiting Johnny's younger brother (St. Clair Alexander) to record as Buddy Ace. When that didn't work out, Duke boss Don Robey took singer Jimmy Lee Land, renamed him Buddy Ace, and recorded him all the way into the late '60s.
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