THE BLACK SOCIAL HISTORY:: BLACK SOCIAL HISTORY : AFRICAN AMERICAN " SONIA SANCHEZ " IS A POET MOST OFTEN ASSOCIATED WITH THE BLACK ARTS MOVEMENT : GOES INTO THE " HALL OF BLACK GENIUS "

Sunday 14 September 2014

BLACK SOCIAL HISTORY : AFRICAN AMERICAN " SONIA SANCHEZ " IS A POET MOST OFTEN ASSOCIATED WITH THE BLACK ARTS MOVEMENT : GOES INTO THE " HALL OF BLACK GENIUS "

BLACK SOCIAL HISTORY Sonia Sanchez (born Wilsonia Benita Driver, September 9, 1934) is an African-American poet most often associated with the Black Arts Movement. She has authored over a dozen books of poetry, as well as plays and children's books. She was a recipient of 1993 Pew Fellowships in the Arts.

Early life

Sanchez was born in Birmingham, Alabama, on September 9, 1934.^[1] Her mother died when Sanchez was only a year old, so she was sent to live with her paternal grandmother. She then lived with family and friends until 1943, when she moved to Harlem to live with her father, her sister, and her stepmother, who was her father's third wife. In 1955, Sanchez received a B.A. in Political Science from Hunter College, where she had also taken several creative writing courses. Later, she completed postgraduate work at New York University, where she studied poetry with Louise Bogan.

Although her first marriage to Albert Sanchez did not last, Sonia Sanchez would retain her professional name. Sanchez then married poet Etheridge Knight. They later divorced. In 1972, she joined the Nation of Islam, but left the organization after three years in 1975 because her views on women's rights conflicted with theirs. She has three children and three grandchildren.^[2]^[3]

Career

Sonia Sanchez at the Miami Book Fair International of 1990

She taught 5th Grade in NYC at the Downtown Community School, until 1966. Sanchez has taught as a professor at eight universities and has lectured at over 500 college campuses across the US, including Howard University. She advocated the introduction of Black Studies courses in California. Sanchez was the first to create and teach a course based on Black Women and literature in the United States. Sanchez was the first Presidential Fellow at Temple University, where she began working in 1977, where she held the Laura Carnell chair until her retirement in 1999. She is currently a poet-in-residence at Temple University. She has read her poetry in Africa, the Caribbean,China, Australia, Europe, Nicaragua, Canada, and Cuba. In 2000, Sanchez has also appeared twice on Bill Cosby's CBS show.^[4]

Sanchez is a member of the Plowshares, the Brandywine Peace Community and MADRE. She also supports MOMS AND in Alabama and the National Black United Front. Sanchez was a very influential part of the Civil Rights Movement and the Black Arts Movement. Sanchez was an advocate for the people. She was a member of CORE (Congress for Racial Equality), where she met Malcolm X. She wrote many plays and books that had to do with the struggles and lives of Black America. Sanchez has edited two anthologies on Black literature, We Be Word Sorcerers: 25 Stories by Black Americans and 360° of Blackness Coming at You.

Sanchez is also known for her innovative melding of musical formats—like the blues—and traditional poetic formats like haiku and tanka. She also tends to use incorrect spelling to get her point across.

In 1969, Sanchez was awarded the P.E.N. Writing Award. She was awarded the National Education Association Award 1977–1988. She also won the National Academy and Arts Award and the National Endowment for the Arts Fellowship Award in 1978–1979. In 1985, she was awarded the American Book Award for Homegirls and Handgrenades. She has also been awarded the Community Service Award from the National Black Caucus of State Legislators, the Lucretia Mott Award, the Governor's Award for Excellence in the Humanities, and the Peace and Freedom Award from the Women's International League for Peace and Freedom.

One of her more recent contemporary endeavors includes a spoken word interlude on "Hope is an Open Window" a song co-written by Diana Ross from her 1998, "Every Day is a New Day" album. The song is featured as the sound bed for a tribute video to 9/11 which can be viewed on YouTube.

Bibliography

Poetry

Homecoming, Broadside Press, 1969
We a Baddddd People (1970), Broadside Press, 1973
Love Poems, Third Press, 1973
A Blues Book for a Blue Black Magic Woman, Broadside Press, 1974
Autumn Blues
Continuous Fire: A Collection of Poetry
Shake Down Memory: A Collection of Political Essays and Speeches
It's a New Day: Poems for Young Brothas and Sistuhs (1971)
Homegirls and Handgrenades (1985) (reprint White Pine Press, 2007, ISBN 978-1-893996-80-9)
Under a Soprano Sky, Africa World Press, 1987, ISBN 978-0-86543-052-5
I've Been a Woman: New and Selected Poems, Third World Press, 1985, ISBN 978-0-88378-112-8
Wounded in the House of a Friend, Beacon Press, 1995, ISBN 978-0-8070-6826-7
Does Your House have Lions, Beacon Press, 1997, ISBN 978-0-8070-6830-4
Like the Singing Coming Off of Drums, Beacon Press, 1998
. Beacon Press. 2000. ISBN 978-0-8070-6853-3.
Ash (2001)
Bum Rush the Page: A Def Poetry Jam (2001)
. Beacon Press. 2010. ISBN 978-0-8070-6910-3.

Plays

Black Cats and Uneasy Landings
I'm Black When I'm Singing, I'm Blue When I Ain't (1982)
The Bronx is Next (1970)
Sista Son/Ji (1972)
Uh Huh, But How Do It Free Us? (1975)
Malcolm Man/Don't Live Here No More (1979)

Children's Books

It's a New Day (1971)
A Sound Investment
The Adventures of Fat Head, Small Head, and Square Head, The Third Press, 1973, ISBN 978-0-89388-094-1

Anthologies

We Be Word Sorcerers
360 Degrees of Blackness Coming at Ya!
Robert Bly, David Lehman, ed. (1999). The Best American Poetry, 1999. Scribner. ISBN 978-0-684-84280-6.
Junot Díaz, ed. (2001). . The Beacon Best of 2001: Great Writing by Women and Men of All Colors and Cultures. Beacon Press. ISBN 978-0-8070-6239-5.
Arnold Rampersad,. The Oxford Anthology of African-American Poetry. Oxford University Press. ISBN 978-0-19-512563-4.