BLACK SOCIAL HISTORY Kanye Omari West born June 8, 1977 is an American hip hop musician, songwriter, record producer, film director, and fashion designer.
West first gained prominence as a producer for Roc-A-Fella Records; he achieved recognition for his work on rapper Jay-Z's The Blueprint (2001), as well as hit singles for musical artists including Alicia Keys, Ludacris, and Janet Jackson. His style of production originally used high-pitched vocal samples from soul songs incorporated with his own drums and instruments. He later broadened his influences to include '70s R&B, baroque pop, trip hop, arena rock, folk, alternative, electronica, synth pop, industrial, and classical music.
West was raised in a middle-class household in Chicago, Illinois and began rapping in the third grade, becoming involved in the city's hip hop scene. West attended art school for one semester before dropping out to pursue music entirely in the late 1990s. Although his real desire was to become a rapper, record executives did not take West seriously, viewing him as a producer first and foremost. After being signed to Roc-A-Fella in 2002, West released his debut album The College Dropout in 2004 to commercial and critical acclaim. The baroque-inspired Late Registration followed in 2005, and stadium-sized Graduation in 2007. West switched rapping for singing on his dark 2008 effort 808's & Heartbreak, and embraced maximalism on 2010's My Beautiful Dark Twisted Fantasy. Following several collaborations, West released his sixth album, Yeezus, in 2013.
West is one of the best-selling and among the most awarded artists in popular music. Several of his studio albums, most prominently Late Registration and My Beautiful Dark Twisted Fantasy, have been ranked by music critics as among the greatest records of all-time. West's background and style, upon his debut, deviated from the then-dominant "gangster" persona in hip hop, but he would later alter the genre stylistically as rappers adopted his alternative aesthetic. An outspoken and controversial celebrity, West has often been the source of incidents at award shows, and his dapper and flamboyant fashion sense has also attracted media attention and set West apart from other rappers. West runs his own record label,GOOD Music, has directed several short films, and is also a fashion designer.
Early life
Kanye West was born on June 8, 1977 in Atlanta, Georgia. At the age of three, West's parents divorced and he moved with his mother to Chicago, Illinois. His father is Ray West, a former Black Panther who was one of the first black photojournalists at The Atlanta Journal-Constitution and later a Christian counselor, and who opened the Good Water Store and Café in Lexington Park, Maryland in November 2006, with startup capital from his son. West's mother, Dr. Donda West, was a Professor of English at Clark Atlanta University, and the Chair of the English Department at Chicago State University before retiring to serve as West's manager. He was raised in a middle-class background, attending Polaris High School in suburban Oak Lawn, Illinois after living in Chicago. At the age of 10, Kanye moved with his mother to Nanjing, China, where his mother was teaching at Nanjing University as part of an exchange program. According to his mother, Kanye was the only foreigner in his class, but settled in well and quickly picked up the language, although he has since forgotten most of it. When asked about his grades in high school, West replied, "I got A's and B's. And I'm not even frontin'".
West demonstrated an affinity for the arts at an early age; he began writing poetry when he was merely five-years-old. His mother recalled that she first took notice of West's passion for drawing and music when he was in the third grade. Growing up in the city, West became deeply involved in its hip hop scene. He started rapping in the third grade and began making musical compositions in the seventh grade, eventually selling them to other artists. At age thirteen, West wrote a rap song called "Green Eggs and Ham" and began to persuade his mother to pay $25 an hour for time in a recording studio. The studio that West and his mother attended sessions was a small, crude basement studio where a microphone hung from the ceiling by a wire clothes hanger. Although this wasn't what West's mother wanted, she nonetheless supported him. West crossed paths with producer/DJ No I.D.
, otherwise known as "The Godfather of Chicago Hip Hop", with whom he quickly formed a close friendship. No. I.D. soon became West's mentor, and it was from him that West learned how to sample and program beats after he received his first sampler at the age of fifteen.
After graduating from West Aurora High School, West received a scholarship to attend Chicago's American Academy of Art in 1997 and began taking painting classes, but shortly after transferred to Chicago State University to major in English. However, it soon became apparent to West that his busy class schedule was a detriment with his musical work, and at the age of 20 he made the decision to drop out of college to pursue his dream of becoming a musician. This action greatly displeased his mother, who was a professor at the university from which he withdrew. She later commented, "It was drummed into my head that college is the ticket to a good life... but some career goals don't require college. For Kanye to make an album called College Dropout it was more about having the guts to embrace who you are, rather than following the path society has carved out for you."
Music career
1996–2002: Career beginnings
West began his early production career in the mid-1990s, making beats primarily for burgeoning local artists, eventually developing a style that involved speeding up vocal samples from classic soul records. For a time, he acted as a ghost producer for Deric "D-Dot" Angelettie. Due to his association with D-Dot, West wasn't able to release a solo album, so he formed and became a member and producer of the Go-Getters, a late-1990s Chicago rap group composed of him, GLC, Timmy G, Really Doe, and Arrowstar. The group released their first and only studio album World Record Holders in 1999. West got his big break in the year 2000, when he began to produce for artists on Roc-A-Fella Records. West came to achieve recognition and is often credited with revitalizing Jay-Z's career with his contributions to the rap mogul's influential 2001 album The Blueprint. The Blueprint is consistently ranked among the greatest hip-hop albums, and the critical and financial success of the album generated substantial interest in West as a producer. Serving as an in-house producer for Roc-A-Fella Records, West produced records for other artists from the label, including Beanie Sigel, Freeway, and Cam'ron. He also crafted hit songs for Ludacris, Alicia Keys, and Janet Jackson.
Despite his success as a producer, West's true aspiration was to be a rapper. Though he had developed his rapping long before he began producing, it was often a challenge for West to be accepted as a rapper, and he struggled to attain a record deal. Multiple record companies ignored him because he did not portray the gangsta image prominent in mainstream hip hop at the time. After a series of meetings with Capitol Records, West was ultimately denied an artist deal. According to Capitol Record's A&R, Joe Weinberger, he was approached by West and almost signed a deal with him, but another person in the company convinced Capitol's president not to. Desperate to keep West from defecting to another label, then-label head Damon Dash reluctantly signed West to Roc-A-Fella Records. Jay-Z later admitted that Roc-A-Fella was initially reluctant to support West as a rapper, claiming that many saw him as a producer first and foremost, and that his background contrasted with that of his labelmates.
West's breakthrough came a year later on October 23, 2002, when, while driving home from a California recording studio after working late, he fell asleep at the wheel and was involved in a near-fatal car crash. The crash left him with a shattered jaw, which had to be wired shut in reconstructive surgery. The accident inspired West; two weeks after being admitted to hospital, he recorded a song at the Record Plant Studios with his jaw still wired shut. The composition, "Through The Wire", expressed West's experience after the accident, and helped lay the foundation for his debut album, as according to West "all the better artists have expressed what they were going through". West added that "the album was my medicine", as working on the record distracted him from the pain. "Through The Wire" was first available on West's Get Well Soon... mixtape, released December 2002. At the same time, West announced that he was working on an album called The College Dropout, whose overall theme was to "make your own decisions. Don't let society tell you, 'This is what you have to do.'"
2003–04: The College Dropout
Carrying a Louis Vuitton backpack filled with old disks and demos to the studio and back, West crafted much of his production for his debut album in less than fifteen minutes at a time. He recorded the remainder of the album in Los Angeles while recovering from the car accident. Once he had completed the album, it was leaked months before its release date. However, West decided to use the opportunity to make the album even better, and The College Dropout was significantly remixed, remastered, and revised before being released. As a result, certain tracks originally destined for the album were subsequently retracted, among them "Keep the Receipt" with Ol' Dirty Bastard and "The Good, the Bad, and the Ugly" with Consequence. West meticulously refined the production, adding string arrangements, gospel choirs, improved drum programming and new verses. West's perfectionism led The College Dropout to have its release postponed three times from its initial date in August 2003.
The College Dropout was eventually issued by Roc-A-Fella in February 2004, shooting to number two on the Billboard 200 as his debut single, "Through the Wire" peaked at number fifteen on the Billboard Hot 100 chart for five weeks. "Slow Jamz", his second single featuring Twista and Jamie Foxx, became an even bigger success: it became the three musician's first number one hit.The College Dropout received near-universal critical acclaim from contemporary music critics, was voted the top album of the year by two major music publications, and has consistently been ranked among the great hip-hop works and debut albums by artists. "Jesus Walks", the album's fourth single, perhaps exposed West to a wider audience; the song's subject matter concerns faith and Christianity. The song nevertheless reached the top 20 of the Billboard pop charts, despite industry executives' predictions that a song containing such blatant declarations of faith would ever make it to radio. The College Dropout would eventually be certified triple platinum in the US, and garnered West 10 Grammy nominations, including Album of the Year, and Best Rap Album(which it received).
At the time, the focal point of West's production style was the use of sped-up vocal samples from soul records. However, due in part to the acclaim of The College Dropout, such sampling had been much copied by others; with that overuse, and also because West felt he had become too dependent on the technique, he decided to find a new sound.
2005–06: Late Registration
Beginning his sophomore effort that fall, West would invest two million dollars and take over a year to craft his second album. West was significantly inspired by Roseland NYC Live, a 1998 live album by English trip hop group Portishead, produced with the New York Philharmonic Orchestra. Early in his career, the live album had inspired him to incorporate string arrangements into his hip hop production. Though West had not been able to afford many live instruments around the time of his debut album, the money from his commercial success enabled him to hire a string orchestra for his second album Late Registration. West collaborated with American film score composer Jon Brion, who served as the album's co-executive producer for several tracks.Although Brion had no prior experience in creating hip-hop records, he and West found that they could productively work together after their first afternoon in the studio where they discovered that neither confined his musical knowledge and vision to one specific genre. Late Registration sold over 2.3 million units in the United States alone by the end of 2005 and was considered by industry observers as the only successful major album release of the fall season, which had been plagued by steadily declining CD sales.
While West had encountered controversy a year prior when he stormed out of the American Music Awards of 2004 after losing Best New Artist, the rapper's first large-scale controversy came just days following Late Registration's release, during a benefit concert for Hurricane Katrina victims. In September 2005, NBC broadcast A Concert for Hurricane Relief, and West was a featured speaker. When West was presenting alongside actor Mike Myers, he deviated from the prepared script. Myers spoke next and continued to read the script. Once it was West's turn to speak again, he said "George Bush doesn't care about black people." West's comment reached much of the United States, leading to mixed reactions; President Bush would later call it one of the most "disgusting moments" of his presidency. West raised further controversy in January 2006 when he posed on the cover of Rolling Stone wearing a crown of thorns.
2007-08: Graduation
Fresh off spending the previous year touring the world with U2 on their Vertigo Tour, West felt inspired to compose anthemic rap songs that could operate more efficiently in large arenas. To this end, West incorporated the synthesizer into his hip-hop production, utilized slower tempos, and experimented with electronic music and influenced by music of the 1980s. In addition to U2, West drew musical inspiration from arena rock bands such as The Rolling Stones and Led Zeppelin in terms of melody and chord progression. To make his next effort, the third in a planned tetralogy of education-themed studio albums, more introspective and personal in lyricism, West listened to folk and country singer-songwriters Bob Dylan and Johnny Cash in hopes of developing methods to augment his wordplay and storytelling ability.
Graduation, West's third studio album, garnered major publicity when its release date pitted West in a sales competition against rapper 50 Cent's Curtis. Upon their September 2007 releases, Graduation outsold Curtis by a large margin, debuting at number one on the US Billboard 200 chart and selling 957,000 copies in its first week. Graduation once again continued the string critical and commercial successes by West, and the album's lead single, "Stronger", garnered the rapper his third number-one hit. "Stronger", which samples French house duo Daft Punk, has been accredited to not only encouraging other hip-hop artists to incorporate house and electronica elements into their music, but also for playing a part in the revival of disco and electro-infused music in the late 2000s. Ben Detrick of XXL cited the outcome of the sales competition between 50 Cent's Curtis and West's Graduation as being responsible for altering the direction of hip-hop and paving the way for new rappers who didn't follow the hardcore-gangster mold, writing, "If there was ever a watershed moment to indicate hip-hop's changing direction, it may have come when 50 Cent competed with Kanye in 2007 to see whose album would claim superior sales."
2008–09: 808s & Heartbreak
West's life took a different direction when his mother, Donda West, died of complications from cosmetic surgery involving abdominoplasty and breast reduction in November 2007. Months later, West and fiancée Alexis Phifer ended their engagement and their long-term intermittent relationship, which had begun in 2002. The events profoundly affected West, who set off for his 2008 Glow in the Dark Tour shortly thereafter. Feeling his emotions could not be conveyed through rapping, West discovered the voice audio processor Auto-Tune to use whilst singing, which would become a central part of his next effort. Recorded mostly in Honolulu, Hawaii in three weeks, West announced his fourth album, 808s & Heartbreak, at the 2008 MTV Video Music Awards, where he performed its lead single, "Love Lockdown". Music audiences were taken aback by the uncharacteristic production style and the presence of Auto-Tune, which typified the pre-release response to the record.
808s & Heartbreak, which features extensive use of the Roland TR-808 drum machine and contains themes of love, loneliness, and heartache, was released by Island Def Jam to capitalize on Thanksgiving weekend in November 2008. Reviews were positive, though slightly more mixed than his previous efforts. Despite this, the record's singles demonstrated outstanding chart performances. Upon its release, the lead single "Love Lockdown" debuted at number three on the Billboard Hot 100 and became a "Hot Shot Debut", while follow-up single "Heartless" performed similarly and became his second consecutive "Hot Shot Debut" by debuting at number four on the Billboard Hot 100. While it was criticized prior to release, 808s & Heartbreak had a significant effect on hip-hop music, encouraging other rappers to take more creative risks with their productions. In 2012, Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."
West's controversial incident the following year at the 2009 MTV Video Music Awards was arguably his biggest controversy, and led to widespread outrage throughout the music industry.During the ceremony, West stormed the stage and grabbed the microphone from winner Taylor Swift in order proclaim that, instead, Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated for the same award, was "one of the best videos of all time". He was subsequently removed from the remainder of the show for his actions. West's tour with Lady Gaga was cancelled in response to the controversy, and it was suggested that the incident was partially response for 808s & Heartbreak's lack of nominations at the 52nd Grammy Awards.[70]
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