BLACK SOCIAL HISTORY : AFRICAN AMERICAN " THE PILGRIM JUBILEE SINGERS " HAVE USED THEIR HARD ROCKING GOSPEL MUSIC AS A POWERFUL MEANS OF TESTIFYING THEIR FAITH, LOVE AND CHARITABLE HOPE OF HUMANITY WILL FIND A WAY TO BRING ITSELF CLOSER TO THE KINGDOM OF HEAVEN : GOES INTO THE " HALL OF BLACK GENIUS " E

                                     BLACK                       SOCIAL                     HISTORY                                                                                                                                                                                                                                                                                                                     Since the early '50's, the Pilgrim Jubilee Singers have used their hard, rocking' gospel music as a powerful means of testifying their faith, love, and charitable hope that humanity will find a way to bring itself closer to the kingdom of heaven. Over its long history, the group has undergone numerous personnel changes. The first incarnation originated in the 1940s on the Mississippi Delta by Elgie and Theopholis Graham, but the most famous version of the Pilgrim Jubilees began in Chicago, 1952, when younger Graham brothers Clay and Cleve resurrected the group. Since then, these two have remained the group's spiritual and musical core. While growing up in Mississippi, all four Graham brothers were trained to sing. It was Theopholis who left the first group to live in Chicago; the rest of his brothers followed in 1951, and all four briefly sang in the group. the Pilgrim Jubilees toured quite a bit (when not working their day jobs, which for the Graham brothers meant working in their separate barber shops), and this proved too much for the older brothers, who gradually dropped out. Shortly thereafter, Clay and Cleve invited baritone Major Roberson and lead singer Percy Clark (both from Mississippi) to join. They also took on guitarist Richard Crume and bassist Roosevelt English, and began recording; through the 1950s, they released sides and albums for assorted labels, including Peacock, Chance, and Nashboro. Soon after signing to Peacock in 1960, the band gained national exposure with their label debut, "Stretch Out." Its success allowed the Pilgrim Jubilees to finally go professional. Crume eventually left the group to join the Soul Stirrers, but the other three have remained together and carried on into the '90s.