BLACK SOCIAL HISTORY : AFRICAN AMERICAN " JUDY CLAY " WAS AN AMERICAN SOUL AND GOSPEL SINGER WHO ACHIEVED GREATEST SUCEAA AS A MEMBER OF TWO RECORDING DUOS IN THE 1960's : GOES INTO THE " HALL OF BLACK GENIUS "

                               BLACK                  SOCIAL              HISTORY                                                                                                                                                                                                                                                             Judy Clay (September 12, 1938 – July 19, 2001)^[1] was an American soul and gospel singer, who achieved greatest success as a member of two recording duos in the 1960s.

Life

Born Judith Grace Guions, in St. Pauls, North Carolina,^[1] she was raised by her grandmother in Fayetteville and began singing in church. After moving to Brooklyn in the early 1950s, she was taken in by Lee Drinkard Warrick of The Drinkard Singers. From the age of 14, she became a regular performer with the family gospel group, which had originally been formed in Savannah, Georgia, around 1938, and which also at times included Lee Warrick's sister Emily (later known as Cissy Houston) and daughters Dionne and Delia (later better known as Dionne and Dee Dee Warwick). Clay made her recorded debut with the Drinkard Singers - who later became better known as The Sweet Inspirations - on their 1954 album, The Newport Spiritual Stars.

She left the Drinkard Singers in 1960 and made her first solo recording, "More Than You Know", on Ember Records. This was followed by further singles on several record labels, but with little commercial success, although "You Busted My Mind" later became successful on the UK's Northern soul club circuit. In 1967, Jerry Wexler of Atlantic Records teamed her up with white singer-songwriterBilly Vera to make the United States' first racially integrated duo, and The Sweet Inspirations, to record "Storybook Children".^[1] The record made #20 on the US R&B chart and #54 pop. It was seen as the first interracial duo recording for a major label^[2] However, Vera has stated^[3] that television executives denied them appearances together, believing (wrongly) that Vera and Clay were more than just singing partners, and, to add insult to injury, had the song performed on network TV by Nancy Sinatra and Lee Hazelwood.

After a further hit duet with Billy Vera, "Country Girl, City Man",^[1] which reached #41 R&B and #36 pop, and an album together, she returned to Stax Records. There she had further successes, this time with William Bell. Their recording of "Private Number" reached #17 in the R&B chart and #75 on the U.S. pop chart, and had greater success in the UK where it reached #8 on the UK Singles Chart.^[4] A follow-up, "My Baby Specializes", also made the R&B chart, before she returned to Atlantic for less successful recordings with Vera, and a final solo hit "Greatest Love" (# 45 R&B in 1970).

Subsequently, she worked as a backing vocalist with Ray Charles, Aretha Franklin, Van Morrison, Donny Hathaway and Wilson Pickett.^[1] Struck with a brain tumour in 1979, she returned to gospel music shortly after her recovery, and sang occasionally with Cissy Houston's gospel choir in Newark, New Jersey.

She was in a car accident, and died a few weeks later of complications at the age of 62.^[1]