Tuesday, 23 September 2014

BLACK SOCIAL HISTORY : AFRICAN AMERICAN " BUKKA WHITE " WAS AN AMERICAN DELTA BLUES GUITARIST AND SINGER : GOES INTO THE " HALL OF BLACK GENIUS "

    BLACK           SOCIAL           HISTORY                                                                                                                                           Bukka White


Bukka White
Bukka.jpg
Background information
Birth nameBooker T. Washington White
BornNovember 12, 1909
Between Aberdeen and HoustonMississippi,United States
DiedFebruary 26, 1977 (aged 67)
Memphis, Tennessee, United States
GenresDelta bluescountry blues
OccupationsSingerguitaristsongwriter
InstrumentsVocalssteel guitarfiddlepiano
Years activeLate 1920s–1977
LabelsVarious
Booker T. Washington "Bukka" White (November 12, 1909 – February 26, 1977)[1] was an American Delta blues guitarist and singer. "Bukka" is a phonetic spelling of White's given name, first used by his second (1937) record label (Vocalion).

Biography

Born between Aberdeen and Houston, Mississippi, White was a first cousin of B.B. King's mother (White's mother and King's grandmother were sisters).[2] White himself is remembered as a player of National steel guitars. He also played, but was less adept at, the piano.
White started his career playing the fiddle at square dances. He claims to have met Charlie Patton early on, although some doubt has been cast upon this;[3] Regardless, Patton was a large influence on White. White typically played slide guitar, in an open tuning. He was one of the few, along with Skip James, to use a cross note tuning in E minor, which he may have learned, as James did, from Henry Stuckey.
He first recorded for Victor Records in 1930. His recordings for Victor, like those of many other bluesmen, fluctuated between country blues and gospel numbers. Victor published his photograph in 1930. His gospel songs were done in the style of Blind Willie Johnson, with a female singer accentuating the last phrase of each line.[4]
Nine years later, while serving time for assault, he recorded for folklorist John Lomax. The few songs he recorded around this time became his most well-known: "Shake 'Em On Down," and "Po' Boy."
Bob Dylan covered his song "Fixin' to Die Blues", which aided a "rediscovery" of White in 1963 by guitarist John Fahey and Ed Denson, which propelled him onto the folk revivalscene of the 1960s. White had recorded the song simply because his other songs had not particularly impressed the Victor record producer. It was a studio composition of which White had thought little until it re-emerged thirty years later.[5]
White was at one time managed by experienced blues manager Arne Brogger. Fahey and Denson found White easily enough: Fahey wrote a letter to "Bukka White (Old Blues Singer), c/o General Delivery, Aberdeen, Mississippi." Fahey had assumed, given White's song, "Aberdeen, Mississippi", that White still lived there, or nearby. The postcard was forwarded to Memphis, Tennessee, where White worked in a tank factory. Fahey and Denson soon traveled to meet White, and White and Fahey remained friends through the remainder of White's life.[6] He recorded a new album for Denson and Fahey's Takoma Records, whilst Denson became his manager.
White was, later in life, also friends with fellow musician Furry Lewis. The two recorded, mostly in Lewis' Memphis apartment, an album together, Furry Lewis, Bukka White & Friends: Party! At Home.

"Parch man Farm Blues" was about the Mississippi State Penitentiary
One of his most famous songs, "Parchman Farm Blues", about the Mississippi State Penitentiary (also known as Parchman Farm) inSunflower County, Mississippi, was released on Harry Smith's fourth volume of the Anthology of American Folk Music, Vol. 4. His 1937 version of the oft-recorded song,[7] "Shake 'Em On Down," is considered definitive, and became a hit while White was serving time in Parchman.[8]
White died in February 1977 from cancer, at the age of 67, in Memphis, Tennessee.[1][9] In 1990 he was posthumously inducted into theBlues Hall of Fame (along with Blind Blake and Lonnie Johnson). On November 21, 2011, The Recording Academy announced that "Fixin' to Die Blues" was to be added to its 2012 list of Grammy Hall of Fame Award recipients.[10]

Legacy


Memorial marker for Bukka White
The Led Zeppelin song "Hats Off to (Roy) Harper", on the band's 1970 album Led Zeppelin III was based in large part on White's "Shake 'Em on Down."[11] "Custard Pie", a song on Led Zeppelin's 1975 album Physical Graffiti, also references "Shake 'Em on Down."[11]
The 1963 recordings of White's song "Shake 'em on Down" and spoken-word piece "Remembrance of Charlie Patton" were both sampled byelectronic artist Recoil (mostly a one-man effort by Alan Wilder of Depeche Mode) for the track "Electro Blues For Bukka White" on the 1992 album Bloodline. The song was reworked and re-released on the 2000 EP, "Jezebel".
On January 26, 2010, Eric Bibb released Booker's Guitar (TEL 31756 02) through Telarc International Corporation after becoming inspired by the hidden stories Bibb felt through holding White's famous guitar.
White's song "Parchman Farm Blues" was recorded by Jeff Buckley, which was released posthumously on the bonus disc of Buckley's album, Grace: Legacy Edition.

Discography

Albums

Compilations

  • Parchman Farm 1937–1940 (Columbia, 1969)
  • Baton Rouge Mosby Street (Blues Beacon, 1982)
  • Aberdeen Mississippi Blues 1937–1940 (Travelin' Man, 1985)
  • Parchman Farm Blues (Orbis Records, 1992)
  • Shake' Em On Down (New Rose, 1993)
  • The Complete Bukka White 1937–1940 (Columbia, 1994)
  • 1963 Isn't 1962 (Adelphi, 1994)
  • Good Gin Blues (Drive, 1995)
  • Shake 'Em On Down (Catfish, 1998)
  • The Panama Limited (ABM, 2000)
  • Revisited (Fuel, 2003)
  • Aberdeen Mississippi Blues: The Vintage Recordings 1930–1940 (Document, 2003)
  • Mississippi Blues Giant (EPM, 2003)
  • Fixin' To Die (Snapper, 2004)
  • Parchman Farm Blues (Roots, 2004)









































































































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