BLACK SOCIAL HISTORY : AFRICAN AMERICAN " DEBORAH WILLIS " IS A CONTEMPORARY ARTIST, PHOTOGRAPHER, CURATOR OF PHOTOGRAPHY, PHOTOGRAPHIC HISTORIAN, AUTHOR AND EDUCATOR : GOES INTO THE " HALL OF BLACK GENIUS "

    BLACK           SOCIAL          HISTORY                                                                                                            

Deborah Willis (artist)

Deborah Willis (born February 5, 1948) is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator.^[1] Among other awards and honors she has received, she was a 2000 MacArthur Fellow.^[2] She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.^[3]

Biography

Born in Philadelphia, Pennsylvania, Willis is the mother of Hank Willis Thomas.^[1][4] She is also known as "Deb Willis."^[5] She survived a diagnosis of breast cancer in 2001.^[6]

Her degrees include a B.F.A. in photography from Philadelphia College of Art in 1975; an M.F.A. in photography from Pratt Institute in 1979; an M.A. in art history from City College of New York in 1986;^[7] and a Ph.D. from the Cultural Studies Program of George Mason University in 2001.^[8] She was the curator of photographs and the prints/exhibition coordinator at the Schomburg Center for Research in Black Culture at the New York Public Library between 1980 and 1992, after which she became exhibitions curator at the Center for African American History and Culture]] of the Smithsonian Institution for eight years.^[1][8] Between 2000 and 2001 she was Lehman Brady Visiting Joint Chair Professor in Documentary Studies and American Studies at Duke University and the University of North Carolina at Chapel Hill.^[9] She then joined the faculty of New York University.^[1]

She co-produced the 2014 documentary film Through a Lens Darkly: Black Photographers and the Emergence of a People, which is based on her book, Reflections in Black: A History of Black Photographers 1840 to the Present.^[10]

Awards and honors

Willis has received numerous awards and honors, including:

• 2005: Guggenheim Fellow, John Simon Guggenheim Memorial Foundation^[11]
• 2005: Fletcher Fellow, Fletcher Foundation^[12]
• 2003: Honorary doctorate, Maryland Institute College of Art^[6]
• 2000: MacArthur Fellow^[2]
• 1995: Infinity Award for Writing, International Center of Photography.^[13]

Artistic and photographic works

As an artist and photographer, Willis is represented by Bernice Steinbaum Gallery in Miami^[14] and Charles Guice Contemporary in Berkeley, California.^[15] Her exhibitions have included:

• "Progeny," Bernice Steinbaum Gallery, Miami, 2008.^[16] The exhibition traveled as "Progeny: Deborah Willis and Hank Willis Thomas" in 2009 to New York and to Sacramento, California.^[4][17]
• "Regarding Beauty," University of Wisconsin–Madison, 2003, containing "photographs and autobiographical quilts."^[18]
• "Deborah Willis: Tied to Memory," Kemper Museum of Contemporary Art, Kansas City, 2000.^[19]
• "Deborah Willis," Hughley Gallery & Objects, Atlanta, 1992, involving "small narrative quilts built around historical photographs, documents and family snapshots."^[20]

Curated exhibitions

Exhibitions that Willis has curated include:

• "Posing Beauty in African American Culture," showing Fall 2009 at the Tisch School of the Arts, New York University, and touring in the U.S. through December 2012.
• "Reflections in Black," Arts and Industries Building, Smithsonian Institution, Washington, DC, 2000, on African-American photography.^[21] The exhibition in whole or in part traveled widely in the U.S. between 2000 and 2003.^[22][23]
• "Constructed Images: New Photography," which traveled between 1989 and 1992.^{[8][24][25][26]}

Books

• Willis, Deborah; Barbara Krauthamer (2012). Envisioning Emancipation: Black Americans and the End of Slavery. Philadelphia: Temple University Press. ISBN 978-1-43990-985-0.
• Willis, Deborah; Hank Willis Thomas; Kalia Brooks (2009). Progeny: Deborah Willis and Hank Willis Thomas. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University. ISBN 978-1-884919-23-7.
• Willis, Deborah (2009). Posing Beauty: African American images from the 1890s to the present. New York: W. W. Norton. ISBN 978-0-393-06696-8.
• Willis, Deborah; Kevin Merida (2008). Obama: the historic campaign in photographs. New York: Amistad. ISBN 978-0-06-173309-3.
• Willis, Deborah (2007). Let Your Motto Be Resistance: African American portraits. Washington, DC: National Museum of African American History and Culture, Smithsonian Institution. ISBN 978-1-58834-242-3.
• Wallis, Brian; Deborah Willis (2005). African American Vernacular Photography: selections from the Daniel Cowin Collection. New York: International Center of Photography.ISBN 3-86521-225-5.
• Willis, Deborah (2005). Family History Memory: recording African American life. New York: Hylas. ISBN 1-59258-086-6.
• Willis, Deborah; Sean Moore; Karen Prince (2004). Black: a celebration of a culture. Irvington, NY: Hylas. ISBN 1-59258-051-3.
• Lewis, David L; Deborah Willis (2003). A Small Nation of People: W.E.B. Du Bois and African-American portraits of progress. New York: Amistad. ISBN 0-06-052342-5.
• Willis, Deborah; Carla Williams (2002). The Black Female Body: a photographic history. Philadelphia: Temple University Press. ISBN 1-56639-928-9.
• Crouch, Stanley; Deborah Willis (2002). One Shot Harris: the photographs of Charles "Teenie" Harris. New York: Harry N. Abrams. ISBN 0-8109-3272-5.
• Willis, Deborah (2000). Reflections in Black: a history of Black photographers, 1840 to the present. New York: W.W. Norton. ISBN 0-393-04880-2.
• Cottman, Michael H; Deborah Willis; Linda Tarrant-Reid (1996). The Family of Black America. New York: Crown Trade Paperbacks. ISBN 0-517-88822-X.
• Willis, Deborah; Jane Lusaka (1996). Visual Journal: Harlem and D.C. in the thirties and forties. Washington, DC: Smithsonian Institution Press. ISBN 1-56098-691-3.
• Cottman, Michael H; Deborah Willis (1995). Million Man March. New York: Crown Trade Paperbacks. ISBN 0-517-88763-0.
• Willis, Deborah; Jane Lusaka (1994). Imagining Families: images and voices. Washington, DC: National African American Museum, a Smithsonian Institution Project. ISBN 1-885892-00-4.
• Willis, Deborah (1994). Picturing Us: African American identity in photography. New York: New Press. ISBN 1-56584-107-7.
• Driskell, David C; David L Lewis; Deborah Willis (1994). Harlem Renaissance: art of Black America. New York: Studio Museum in Harlem, Abradale Press. ISBN 0-8109-8128-9.
• Willis, Deborah (1993). J.P. Ball, daguerrean and studio photographer. New York: Garland. ISBN 0-8153-0716-0.
• Willis-Braithwaite, Deborah; Rodger C Birt (1993). VanDerZee, photographer, 1886-1983. New York: H.N. Abrams. ISBN 0-8109-3923-1.
• Willis, Deborah (1992). Early Black Photographers, 1840-1940: 23 postcards. New York: New Press. ISBN 1-56584-007-0.
• Willis, Deborah; Lorna Simpson (1992). Lorna Simpson. San Francisco: Friends of Photography. ISBN 0-933286-60-0.
• Willis, Deborah; Howard Dodson (1989). Black Photographers Bear Witness: 100 years of social protest. Williamstown, MA: Williams College Museum of Art. ISBN 0-913697-09-5.
• Willis-Thomas, Deborah (1989). An Illustrated Bio-bibliography of Black Photographers, 1940-1988. New York: Garland. ISBN 0-8240-8389-X.
• Driskell, David C; David L Lewis; Deborah Willis Ryan (1987). Harlem Renaissance: art of Black America. New York: The Studio Museum in Harlem, Harry N. Abrams. ISBN 0-8109-1099-3.
• Willis-Thomas, Deborah (1985). Black Photographers, 1840-1940: an illustrated bio-bibliography. New York: Garland. ISBN 0-8240-9147-7.