BLACK SOCIAL HISTORY Paul Gonsalves
| Paul Gonsalves | |
|---|---|
| Birth name | Paul Gonsalves |
| Born | July 12, 1920 |
| Origin | Brockton, Massachusetts,USA |
| Died | May 15, 1974 (aged 53) London, England, UK |
| Genres | Jazz Swing Bebop |
| Occupations | Musician - Woodwinds |
| Instruments | Tenor Saxophone |
| Years active | 1938–1974 |
| Labels | RCA Victor Impulse Records Riviera Records Black Lion Records |
| Associated acts | Phil Edmonds, Sabby Lewis Orchestra, Count Basie, Dizzy Gillespie, Duke Ellington |
Paul Gonsalves (July 12, 1920 – May 15, 1974) was an American jazz tenor saxophonist[1] best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue",[2] a performance credited with revitalizing Ellington's waning career in the 1950's.[3]
Biography
Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves' first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of theSabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II.[4] Before joining Duke Ellington's orchestra in 1950, he had also played in big bands led by Count Basie (1947–1949) and Dizzy Gillespie (1949–1950).
At the 1956 Newport Jazz Festival, Gonsalves' solo in Ellington's song "Diminuendo and Crescendo in Blue" went through 27 choruses; the publicity from this performance is credited with reviving Ellington's career.[5] The performance is captured on the album Ellington at Newport. Gonsalves was a featured soloist in numerous Ellingtonian settings. He received the nickname "The Strolling Violins" from Ellington for playing solos while walking through the crowd.[6]
Gonsalves died in London a few days before Duke Ellington's death, after a lifetime of addiction to alcohol and narcotics.[7] Mercer Ellington refused to tell Duke of the passing of Gonsalves, fearing the shock might further accelerate his father's decline. Ellington and Gonsalves, along with trombonist Tyree Glenn, lay side-by-side in the same New York funeral home for a period of time.[8]
Gonsalves is buried at the Long Island National Cemetery in Farmingdale, New York
Discography
As leader/co-leader
- Cookin' (1957, Argo)
- Diminuendo, Crescendo and Blues (1958, RCA Victor)
- Ellingtonia Moods and Blues (1960, RCA Victor)
- Gettin' Together! (1961, Jazz land Records)
- Tenor Stuff (1961, Columbia Lansdowne Jazz) - with Harold Ashby
- Tell It the Way It Is! (1963, Impulse)
- Cleopatra - Feelin' Jazzy (1963, Impulse)
- Salt and Pepper (1963, Impulse) - with Sonny Stitt
- Rare Paul Gonsalves Sextet in Europe (1963, Jazz Connoisseur)
- Boom-Jackie-Boom-Chick (1964, Vocalion)
- Just Friends (1965, Columbia EMI) - with Tubby Hayes
- Change of Setting (1965, World Record Club) - with Tubby Hayes
- Jazz Till Midnight (1967, Storyville)
- Love Calls (1967, RCA) - with Eddie Lockjaw Davis
- Encuentro (1968, Fresh Sound)
- With the Swingers and the Four Bones (1969, Riviera)
- Humming Bird (1970, Deram)
- Just A-Sittin' and A-Rockin' (1970, Black Lion)
- Paul Gonsalves and his All Stars (1970, Riviera)
- Paul Gonsalves Meets Earl Hines (1970, Black Lion)
- Mexican Bandit Meets Pittsburgh Pirate (1973, Fantasy)
- Paul Gonsalves Paul Quinichette (1974)
- "Sitting In"...Paul Gonsalves Clyde Fats Wright (2014 Silk City Records)
With Duke Ellington
Main article: Duke Ellington discography
- Ellington at Newport (1957)
- Love Calls (RCA Victor, 1968)
With Billy Taylor
- Taylor Made Jazz (Argo, 1959)
With Clark Terry
- Duke with a Difference (Riverside, 1957)
With Jimmy Woode
- The Colorful Strings of Jimmy Woode (Argo, 1957)
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